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£44.99

Constructing the Literary Self

Race and Gender in Twentieth-Century Literature
Edited By: Patsy J. Daniels

£44.99

This volume explores the quest for self-definition among previously excluded groups. Its thirteen essays by recognized scholars depict strategies of escaping oppression through the lens of race, gender, sexuality, assimilation, and the family.

In the twentieth century, as previously excluded groups, including ethnic minorities, women, the disabled, and the differently gendered, gained a voice in society, group identity…
£44.99
£44.99
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In the twentieth century, as previously excluded groups, including ethnic minorities, women, the disabled, and the differently gendered, gained a voice in society, group identity also changed and new definitions became necessary. Whether through their group affiliations or in spite of these affiliations, many individuals sought a new definition of themselves. As can be expected, much literature explores these changes and depicts the quest for new definitions and the search for individuality in the light of new definitions.

Construction or definition of the self was once available only to the elite, and the freedom of some to define their identity was sacrificed so that others could make their own self-definitions; this practice can be found throughout much of history. This volume is about that kind of oppression and various strategies of escaping from oppression as depicted in serious literature.

Its thirteen essays, all by recognized scholars, are divided into five categories: Race, Gender, and the Self; Assimilation and the Self; Black Males and the Self; Female Sexuality and the Self; and The Family and the Self.

Patsy J. Daniels is a Professor of English at Jackson State University. Her publications include articles in several scholarly journals and two books of critical theory. The Voice of the Oppressed in the Language of the Oppressor (Routledge, 2001) discusses the postcolonial nature of twelve authors and their works. Understanding American Fiction as Postcolonial Literature (Edwin Mellen, 2011) posits the postcolonial nature of American literature. Patsy has been a peer reviewer for six different scholarly journals. Since 2008, she has served as editor of a scholarly journal based at Jackson State University, The Researcher: An Interdisciplinary Journal.

Youngsuk Chae, Lucinda Channon, Emily Clark, Patsy V Daniel, Shawn Holliday, Helen Maxson, Preselfannie McDaniels, Everett Neasman, Aaron Orforlea, Candis Pizzetta, Tara Tuttle, Claude Wilkinson, Cameron Williams

Hardback

  • ISBN: 1-4438-4530-2
  • ISBN13: 978-1-4438-4530-4
  • Date of Publication: 2013-05-17

Ebook

  • ISBN: 1-4438-6111-1
  • ISBN13: 978-1-4438-6111-3
  • Date of Publication: 2013-05-17

Subject Codes:

  • BIC: D, DS, JFC
  • BISAC: LIT006000, LIT024050, LIT003000, SOC031000, SOC032000, SOC020000
  • THEMA: D, DS, JBCC
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  • The authors of these essays have applied contemporary perspectives with apt reflection on literature of the twentieth century (and earlier) as they seek the truth of ‘the literary self' in its many and varied manifestations. Drawing on diverse perspectives and applying them to a diverse body of literary works, what results is a huge critical feast, tempting and worthy of our consumption, enriching our own critical abilities as we sample from this fine array.
    - – Warren J. Carson PhD, Professor of English and Associate Vice Chancellor for Academic Affairs, University of Carolina Upstate
  • This anthology of essays centers on three of the most relevant and enduring topics that engage literary critics: race, gender, and the self. The anthology's focus on these topics gives it a significant unity. At the same time, though, it provides unique diversity. While it includes essays that address traditionally canonical authors and works such as Shakespeare's Othello, Harper Lee's To Kill a Mockingbird, and Alice Walker's The Color Purple, it simultaneously includes authors and works that lie outside the conventional academic canon: authors and works such as Caryl Phillip's Cambridge, Hans Ong's Fixer Chao, and Anna Castillo's Peel My Love Like an Onion.
    - – Dr Greg Bentley Associate Professor, Department of English, Mississippi State University
  • The text, Constructing the Literary Self: Race and Gender in Twentieth-Century Literature, interrogates thorny issues that still surface in the lives and times of modern man in the world, issues of difference and identity. The text gives credence to the true meaning of literature which is that it humanizes the world, sharpens our sensibilities and presents a mirror to our world. The text tries to negotiate new meanings to identities as defined by racism and gender. The movement is from self to community to race and nation. Does one's identity depend on the pigmentation of one's skin, or one's gender, or one's nationality, or one's sexual orientation? All these are valid questions but the real problem is their interpretation and how this is used to oppress and violate people's humanity. The text speaks to the critical conscience of the reader in a real world and time and so transcends mere scholastic experience.
    - – Helen Chukwuma PhD, Professor of English, Jackson State University

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