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Author

With a solid background in Chinese language and culture, Iside Carbone graduated from Ca’ Foscari University, Venice, and further specialised in Chinese Art and Archaeology at Nankai University, Tianjin, and SOAS, University of London. She received a PhD in Anthropology at University College London in 2010. Her research interests and publications focus on museum ethnography, art and anthropology in general, and Chinese art in particular. She is Assistant Editor for the Anthropological Index Online, published by the Royal Anthropological Institute in cooperation with the Anthropology Library and Research Centre at the British Museum. She is also Asian Art Specialist for a regional auction house. She is Associate at the Centre for Museums, Heritage and Material Culture Studies, UCL, and a member of the Museum Ethnographers Group.

Iside Carbone

With a solid background in Chinese language and culture, Iside Carbone graduated from Ca’ Foscari University, Venice, and further specialised in Chinese Art and Archaeology at Nankai University, Tianjin, and SOAS, University of London. She received a PhD in Anthropology at University College London in 2010. Her research interests and publications focus on museum ethnography, art and anthropology in general, and Chinese art in particular. She is Assistant Editor for the Anthropological Index Online, published by the Royal Anthropological Institute in cooperation with the Anthropology Library and Research Centre at the British Museum. She is also Asian Art Specialist for a regional auction house. She is Associate at the Centre for Museums, Heritage and Material Culture Studies, UCL, and a member of the Museum Ethnographers Group.

Author's books

9781527539594-2
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China in the Frame

Materialising Ideas of China in Italian Museums
By: Iside Carbone
£47.99

This ethnographic study of Chinese art displays in Italy highlights how representing the cultural Other becomes a process of self-expression. It shows how in representing China, Italy is induced to question and represent its own cultural identity.

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