British Music and the French Revolution investigates the little-studied repertoire of concert and theatrical music created in Britain between 1789–1795. It explores how a spirit of patriotism, political turmoil, and war inspired an outpouring of music.
Paul F. Rice
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Observations on the Castrati in Britain
By: Paul F. Rice
In 18th-century Britain, castrato singers challenged cultural and sexual norms. This book investigates fears that their sensual Italian music could feminize men and weaken the nation, while also examining the castrati’s contributions as cultural leaders.
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The Solo English Cantatas and Italian Odes of Thomas A. Arne
By: Paul F. Rice
This study of Thomas Arne’s cantatas and odes reveals his evolving musical style. Restricted by his Catholic faith, Arne found an outlet in London’s pleasure gardens, setting pastiche texts from Pope and Congreve and challenging critiques of his ability to set Italian.
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