This collection of essays presents current research in Classics. Contributions cover subjects from Greek and Latin papyrology, epigraphy, and key literary texts to navigation, coinage, and sculpture. A useful, up-to-date research tool for any classicist.
The Power of Form
Once dismissed as primitive fancy, myths are now seen as complex symbolic narratives that carry meaning. This interdisciplinary volume studies how myths are recycled within heritage, examining their personal and political implications for societies making sense of life.
Ancient genres were contested, hybrid and ambiguous. This volume presents case studies on understandings of genre, examining well-known texts like Ovid and late-antique works from Rome and Greece to Gaza and Syria.
P. Papinius Statius
Volume III on Statius’ Thebaid and Achilleid is divided into two parts. The first discusses the textual transmission, manuscripts, and editions. The second part comprises a secondary apparatus with further evidence and all unrecorded conjectures.
P. Papinius Statius Volume II
This three-volume work offers a revised text, prose translation, and extensive commentary for the two epics of Statius: his magnum opus, the Thebaid, and the Achilleid, which was left unfinished at his death.
P. Papinius Statius Volume I
This three-volume work offers a revised text, prose translation, and extensive secondary apparatus for the two epics of Statius: his magnum opus, the Thebaid, and the unfinished Achilleid.
Catalogues of Proper Names in Latin Epic Poetry
This book explores the poetic catalogue from Homer to Ovid. It examines how internal structural patterns and external framing devices evolved, contrasting Virgil’s supportive function with Lucretius’s subversion and Ovid’s sophisticated innovations.
From twelve years of producing ancient plays for contemporary audiences, these translations of Sophocles and Euripides are accessible and speakable. They maintain the poetry of tragedy without being archaic, accompanied by essays on drama, irony, and emotion.
From twelve years of producing ancient plays for contemporary audiences, these translations of Sophocles and Euripides are accessible and speakable. They maintain the poetry of tragedy without being archaic, accompanied by essays on drama, irony, and emotion.
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