The Making of the Modern Artist
This study brings together James Joyce and D. H. Lawrence in their common concern with the modern artist. Examining the fictional artists Stephen Dedalus and Will Brangwen, it shows how Joyce and Lawrence converge on the character and vision of the modern artist.
Kassis focuses on Iceland as a nineteenth-century utopian locus in the light of racial theories attached to the country’s national framework, investigating how nineteenth-century travellers defined their national identity and gender in relation to Iceland.
This book explores the creative imagination in Victorian England through five key figures: John Ruskin, William Morris, Dante Gabriel Rossetti, Walter Pater and Arthur Symons. It contrasts the views of theoreticians with the experiences of practitioners.
This volume details the uneasy and uncomfortable relationship between English identity and the discipline of English Studies. It draws together literary and cross-cultural studies material to shed light on internal visions and external projections of Englishness.
In a world turned upside-down, this essay collection shows the vital role of the humanities. It explores how societies have historically coped with distressing change to address today’s crises—from climate change and racism to the worldwide crisis of democracy.
Graham Greene’s Narrative in Spain
This monograph details the literary contact between Graham Greene and Franco’s Spain, providing an overview of the roles played by national literary criticism and the book industry in the reception of his works, and the influence exerted by the regime in the publishing process.
This book explicates the effect of increasing land transactions on social mobility in rural India. It argues that villages near cities are no longer simple communities, but are more complex and mobile as a result of urban expansion, contextualizing this within the state’s laws.
Moving beyond prescriptive guidelines, this book proposes a new theory of terminology. Based on extensive field research and literature review, it argues that fundamental principles underlie all terminological activities, manifested in context-bound variations.
This book explores the reciprocal cultural relations between Greece and Britain. It covers figures from Shakespeare and Milton to the philhellenes Shelley and Byron, offering an insightful contribution to a better understanding between the people of these two countries.
This volume offers an approach to narratives in the 21st century, amid growing concern with the decreasing explanatory capacity of theoretical concepts and narrative configurations. It provides cutting-edge research from a variety of disciplines, including the social sciences.
The Orpheus Myth in Milton’s “L’Allegro”, “Il Penseroso”, and “Lycidas”
This study uncovers the Orpheus myth as the key to Milton’s early poems, triggering their opposing voices and framing the profound journey from innocence to enlightenment.
Postfeminist Discourse in Shakespeare’s The Tempest and Warner’s Indigo
A comparative study of Shakespeare’s The Tempest and Marina Warner’s rewriting, Indigo. Focusing on femininity and the other, this analysis explores ambivalence, liminality, and plurality in postfeminist and post-colonial contexts.
Passages
This collection of essays navigates literal and metaphorical “passages”—crossings, boundaries, and identity. Combining close textual readings with cultural theory, it stimulates debate on how old texts are revisited and how identity is renegotiated.
Mazaheri’s essays explore the relationship between religion and literature in George Eliot’s early fiction, with a particular focus on Scenes of Clerical Life, Adam Bede, and The Mill on the Floss.
This volume is centred around the idea that the aim of literature is to build bridges, and, as such, focuses on the moral purpose of literature and its tendency to overcome divisive forces, using examples from texts across various geographical and cultural borders.
Wandering through Guilt
This study examines the relationship between guilt and wandering in 20th-century literature. Using the biblical figure of Cain as an archetype, it analyzes novels where the issue is a desperate movement toward self-consciousness or self-destruction.
Vendetta
This volume provides a riveting account of revenge as a muse in modern literature. It analyzes Hispanic, Italian, and French texts, exploring chivalric avenges, codes of honor, and the patient craftiness of women in a unique collection of topics.
The Body of the Postmodernist Narrator
This book reads postmodern fiction through the bodies of its narrators. Using Lacanian psychoanalysis and feminist theory, it explores trauma, murder, and desire, exposing the body as the site of repressed knowledge, resistance, and artistic resolution.
This collection offers creative and critical responses to making, breaking, and negotiating boundaries. A startling reassessment of its subject, it erases the borders between the critical, the creative, and the cultural with passion and precision.
Mazzi suggests, linguistically, that the study of reasoned argument is likely to have many potential applications in the context of Irish public discourse. He tackles the issue of the construction of argumentation in the judiciary and in the politics of the Irish Republic.
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