The Mystery of Hamlet
Hamlet kills Polonius thinking he is Claudius. Yet he cannot kill Claudius. Why? Shakespeare understood the Freudian slip centuries before Freud, using hints to reveal the secrets of a disillusioned idealist’s tragically conscientious character.
Shakespeare’s King Lear
Nagarajan provides this comprehensive edition of King Lear, presenting years of research. He illustrates Shakespeare’s use of language, Elizabethan theatre, history and values of the play, analysis of enigmatic scenes, and glimpses into its performance history.
In the Jaws of the Leviathan
How do we witness the unspeakable? This book analyzes portrayals of genocide in film and fiction from Africa, Asia, and South America. It contrasts the indirect metaphors of commercial media with the direct, personal gazes found in experimental works.
This illustrated book explores the diversity of children’s book illustration as a space for cultural dialogue. It considers how illustrations from different traditions are histories of art and style that enable us to traverse boundaries and dissolve barriers.
Is the Theatre of the Absurd a viable option to express the horror of the post-9/11 era? This book reflects on the tradition’s ongoing currency and its changing contours in the plays of American dramatist Rajiv Joseph, establishing its continued relevance today.
Shakespeare’s Theory of International Relations
In Shakespeare’s romances, art becomes statecraft. The Bard’s plays explore paths to peace, showing how rival nations can resolve diplomatic crises, restore frayed alliances, and achieve universal well-being.
Promised End
The whole meaning of Shakespeare’s greatest tragedy depends on Lear’s last lines. Is his vision an epiphany or delusion? Is the play nihilistic or redemptive? This book deploys a wide spectrum of critical approaches to enlist readers in a quest for the answer.
Virginia Woolf’s Portraits of Russian Writers
Classic Russian fiction was crucial to Virginia Woolf’s vision of British modernism. We follow Woolf as she begins to learn Russian, invents a character for a story by Dostoevsky, ponders over Sophia Tolstoy’s suicide note, and proclaims Chekhov a truly ‘modern’ writer.
Mapping Cultural Identities and Intersections
This book applies imagology to film, art, and narratives to explore identity construction. Through interdisciplinary approaches, it examines cultural and ethnic identities—the self and the other—with a focus on literary works as they are translated from one culture to another.
This collection of essays examines dystopian fiction in literature, TV, and games. Capturing the dilemmas of our precarious epoch, it offers new interpretations of classics like Orwell and Atwood and pop culture phenomena like The Hunger Games and Fallout.
This collection of essays by international scholars provides new pathways through Frankenstein. Chapters explore the iconic novel’s themes, cultural context, and its numerous afterlives in film, games, and more, stimulating a new appreciation for the classic.
The road inspires freewheeling adventure, but it is also a site of our vulnerabilities. This collection highlights artists, writers, and filmmakers who have drawn upon the road as a cultural landscape, revealing our curiosity, anxieties, sorrows, and disquiet.
These essays explore Claire Messud’s fiction and its complex narration of cosmopolitan entanglements. Foci include emigrant identities, 1960s Pop Art, and 9/11 trauma. This collection also provides an interview with the author.
A Holistic Perspective on Harold Pinter’s Drama
This book explores Harold Pinter’s plays, from his comedies of menace to his memory and political works. It analyzes the thematic constants—intrusion, anxiety, silence, and power games—that define the term “Pinteresque” and connect his entire dramatic oeuvre.
The most comprehensive review of deaf characters in literature available. Examining 300 years of examples in novels, comics, and film, this work identifies key trends through the lens of deaf education, the use of sign language, and the rise of deaf identity and communities.
This volume explores the connections between literary figures, artists, and locations of the Victorian era. It covers writers and painters like Charles Dickens and D. G. Rossetti, addresses transatlantic links, and includes influential figures from other periods.
This book explores the relationship between Ruskin and Turner through their mutual fascination with water, focusing on The Harbours of England. It reveals how water became a multifaceted symbol of tradition, progress, and nationalism in the nineteenth century.
Uncovering Machiavelli’s sources, from Livy to Boccaccio, these essays trace surprising connections to Shakespeare and Mantegna, revealing how and why Christian authors drew on the pre-Christian world.
This study examines how 20th-century absurdist theatre reveals humanity’s angst by confronting the subconscious self with the socio-moral façade. It highlights the dramatic revolution of the mid-20th century through the plays of Beckett, Pinter, Ionesco, and others.
This volume examines anguish in late 19th–early 20th century art, literature, and philosophy. It reveals the tension between anguish and art, showing how historical events and new inquiries generated an anguish that proved uniquely fertile for artists.