Life and Work of Pauline Viardot Garcia, vol. I
A superb singer and composer, Pauline Viardot Garcia was a 19th-century muse to Brahms and Meyerbeer. Loved by Turgenev for forty years, she was a musical genius. This first comprehensive biography in English reveals the life of this forgotten powerhouse.
This book is about musical canons and de-canonizing music history. Its main goal is to deconstruct these canons: to analyze and problematize them in their variety through artistic encounters where art meets popular, ethnic meets education, and avantgarde meets mainstream.
Rockin’ the Borders
This volume investigates how rock music has shaped identities and lifestyles since the 1950s. It offers a comparative perspective on rock’s role in everyday life in the USA and Europe, including states on both sides of the Iron Curtain.
Commitment to Musical Excellence
For 75 years, the internationally recognized Gustavus Choir has built a heritage of choral music rooted in the a cappella tradition. This book chronicles the ensemble’s history, the legacy of its six conductors, and its unwavering commitment to musical excellence.
Giacomo Meyerbeer
Giacomo Meyerbeer was the most successful composer of grand operas in nineteenth-century Paris, yet today his operas have become stage rarities. This is the first broad evaluation of Meyerbeer in English, a study of his reputation’s vicissitudes.
The Life and Work of Pauline Viardot Garcia
Pauline Viardot was a seminal 19th-century opera singer, composer, and teacher whose friends included Chopin, Liszt, and Wagner. Loved by Ivan Turgenev, she was a fascinating woman at the heart of her age. This volume covers her later years.
The Distin Legacy
While the relevance of the Distin Family to the brass band movement is known, extensive new research reveals their true impact. This book examines the Distin projects as the main reason why today’s brass bands are established in their current form.
Nationality vs Universality
This publication deals with the history of music as a way of representing historical memory and as an instrument of shaping society’s present. It offers fascinating reading for anyone interested in the mechanisms that shape notions of the musical past.
The concern of this anthology is the relationship between traditional music and archives as seen from historical and epistemological perspectives. The articles within focus on archives, individual and collective memory, and heritage as today’s recreation of the past.
Britten’s music is complex and contradictory. This collection of essays by performers, musicologists, and theorists challenges assumptions about musical constructs, text/music relationships, and the personal influences on his compositional technique.
An Anthology of French and Francophone Singers from A to Z
This richly illustrated mini-dictionary provides a collection of portraits of the greatest singers of the French language and describes how they have contributed to the musical landscape in both France and the larger francophone community and the world as a whole.
The Study of Musical Performance in Antiquity
This collection of essays provides valuable insights into the richness of sources dealing with music and musical performance scattered over 3000 years and covering a wide range of geographies, from Syria to Iberia, through Greece and Rome.
Voices of Identities
The contributions here represent the proceedings of the Annual Congress of the Austrian Society for Musicology in 2014, and open multiple perspectives on the identity-relevant implications of every kind of vocal music from the last days of the Habsburg Empire to the present day.
American Wind Music
The transitions that occurred in everyday life after the new “America” was created after the Revolutionary War are reflected in the type of wind music local groups were performing. Kolman traces the development of these new compositions found in available Instrumental Tutors.
Dealing with the interconnections between music and the written word, this book brings into focus an updated range of analytical and interpretative approaches which transcend the domain of formalist paradigms and the purist assumption of music’s non-referentiality.
Jazz Italiano
In the early 20th century, jazz seduced Italy. An imported passion, it survived war and flourished despite Fascist disapproval. This illustrated book records the story of Italian jazz, from early imitation to when the country’s own geniuses made it uniquely Italian.
Transatlantic Malagueñas and Zapateados in Music, Song and Dance
An exploration of two fandango dances across the Spanish and Portuguese Empires. While malagueñas are an incarnation of Spanishness caught in a fraught imperial past, zapateados—shaped by Africanist and Native American footwork—cut toward a future born of resistance.
J.S. Bach’s Musical Offering survived as separated sheets, its true structure a puzzle for centuries. This book revises groundbreaking research to present a unique conception of the work’s original design, focusing on the mysterious ordering of its ten canons.
This book challenges the ontological unity of music, philosophy, and mathematics, then explores music as social history—probing ideological style debates and the cultural memory of post-Stalinism in the 1950s and 60s.
A Jesuit missionary, musician, and builder of Shanghai’s famed bamboo organs. François Ravary’s unpublished letters reveal the crises of the Catholic mission in nineteenth-century China and his creation of the nation’s first brass band and school orchestra.