Carols of Birds, Bells, and Sacred Hymns from Ukraine
This anthology of Ukrainian carols is a prism through which Ukraine’s history, culture, and vibrant spirit are revealed. It includes the original “Carol of the Bells,” music scores, translations, and the gripping narratives of choral activism that helped a nation survive.
This book is about musical canons and de-canonizing music history. Its main goal is to deconstruct these canons: to analyze and problematize them in their variety through artistic encounters where art meets popular, ethnic meets education, and avantgarde meets mainstream.
The concern of this anthology is the relationship between traditional music and archives as seen from historical and epistemological perspectives. The articles within focus on archives, individual and collective memory, and heritage as today’s recreation of the past.
Dealing with the interconnections between music and the written word, this book brings into focus an updated range of analytical and interpretative approaches which transcend the domain of formalist paradigms and the purist assumption of music’s non-referentiality.
Nationality vs Universality
This publication deals with the history of music as a way of representing historical memory and as an instrument of shaping society’s present. It offers fascinating reading for anyone interested in the mechanisms that shape notions of the musical past.
Since UNESCO recognized Sutartinės, Lithuania’s ancient dissonant music, studies have flourished. This book presents new findings, revealing analogies with foreign folk music and analyzing hymns of mythical beings through data from ethnology, archaeology, and linguistics.
Rockin’ the Borders
This volume investigates how rock music has shaped identities and lifestyles since the 1950s. It offers a comparative perspective on rock’s role in everyday life in the USA and Europe, including states on both sides of the Iron Curtain.