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Jean Sibelius’s Legacy
Research on his 150th Anniversary
This conference proceedings draws upon the most current achievements of Sibelius research. It covers all of the genres in Sibelius’ production: orchestral works, incidental music, piano and chamber music, and songs, including both well-known works and rarities.
This conference proceedings draws upon the most current achievements of Sibelius research. It covers all of the genres in Sibelius’ production: orchestral works, incidental music, piano and chamber music, and songs, including both well-known works and rarities.
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This product has multiple variants. The options may be chosen on the product page
Resounding Pasts
Essays in Literature, Popular Music, and Cultural Memory
Music and literature shape cultural memories. In an age where artistic commemorations overlap and cross borders, they create a network of representations that challenges how we remember, share, and interpret the past.
Music and literature shape cultural memories. In an age where artistic commemorations overlap and cross borders, they create a network of representations that challenges how we remember, share, and interpret the past.
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This product has multiple variants. The options may be chosen on the product page
Temporaries and Eternals
The Music Criticism of Aldous Huxley, 1922-23
Aldous Huxley’s 1922–23 music column offers a snapshot of 1920s musical life and is key to understanding his novels. Huxley’s central theme is how to judge the longevity of composers and their works. This book reproduces all 64 of his articles.
Aldous Huxley’s 1922–23 music column offers a snapshot of 1920s musical life and is key to understanding his novels. Huxley’s central theme is how to judge the longevity of composers and their works. This book reproduces all 64 of his articles.
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This product has multiple variants. The options may be chosen on the product page
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From £30.99
This study of Thomas Arne’s cantatas and odes reveals his evolving musical style. Restricted by his Catholic faith, Arne found an outlet in London's pleasure gardens, setting pastiche texts from Pope and Congreve and challenging critiques of his ability to set Italian.
This study of Thomas Arne’s cantatas and odes reveals his evolving musical style. Restricted by his Catholic faith, Arne found an outlet in London’s pleasure gardens, setting pastiche texts from Pope and Congreve and challenging critiques of his ability to set Italian.
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This product has multiple variants. The options may be chosen on the product page