Postgraduate Voices in Punk Studies
The first academic collection of postgraduate research on the punk scene. These cutting-edge, interdisciplinary studies explore themes of gender, race, and sexuality, covering topics from French straight-edge to the links between punk and 90s rave culture.
This multifaceted study explores the vocal iso(n) repertory in the multipart singing of the Southwest Balkans and in Byzantine chanting. Moving beyond national bias, it argues this tradition is bound to the region, not a single ethnic group.
Single-Voice Transformations
This study models smooth voice leading with abstract algebra via the single-semitone transformation (SST). The model yields 3D graphical lattices and serves as a versatile analytical tool for music from Chopin and Webern to Paul Lansky and John Adams.
Music and Technologies is a collection of articles by musicians, computer scientists, and educators from all over the world. It explores contemporary ideas in the field, from automatic cognition and simulation to the re-creation of music, with sound and scoring at its core.
This book offers a multidisciplinary approach to music in Turkey. Chapters explore topics ranging from the cognitive responses of musicians listening to atonal chords, to Turkey’s heavy metal scene, and the historical mission to “contemporize” music.
This book bridges the gap between theory and creativity in musicianship. It moves beyond the idea of theory as rigid and creativity as wild, providing a discussion of the creative drive in theory and how these ideas shape performance through illuminating examples.
Voices of Identities
The contributions here represent the proceedings of the Annual Congress of the Austrian Society for Musicology in 2014, and open multiple perspectives on the identity-relevant implications of every kind of vocal music from the last days of the Habsburg Empire to the present day.
Wright assesses the relevance of aural in a university music degree and as a preparation for a classical musician’s career. The main areas investigated are the relationship between aural ability and success in a music degree, and views about aural and its career relevance.
Giacomo Meyerbeer
ARSC Awards for Excellence, 2014. This discography of Giacomo Meyerbeer’s works (1889-1955) testifies to the composer’s once-universal fame. It lists nearly 2000 artists, including legends from the Golden Age of Song, who recorded his music.
‘I, Me, Mine?’
Skrimsjö reconsiders perceptions of record collecting and collectors, through a discussion of existing stereotypes surrounding such practices, and explores how such collectors view themselves and their practices.
The Israeli Defence Forces’ Representation in Israeli Cinema
This title looks at whether Israeli art and film now place a focus on soldiers not as fighters, but as victims, and discusses the relationship between King David as an adult and the State of Israel half a century after its establishment.
Piso offers a detailed investigation of the singing technique generally known as “inhaling the voice” technique, and analyses the usage of vowels in spoken and sung variants, offering advice to singers regarding how they can improve their pronunciation of vowels and consonants.
Music, Metamorphosis and Capitalism
These essays view music like rock, pop, and metal from socio-political, aesthetic, and psychological perspectives. Arguing for music’s cultural embeddedness, this volume embraces the aesthetic as a form of social critique that scrutinizes theory itself.
Giacomo Meyerbeer
Meyerbeer’s opera Wirt und Gast is based on an Arabian Nights tale. Championed by Weber for its delicate instrumentation, it shows astonishing maturity for a composer of twenty-one, using recurrent themes to present the plot’s conflict before Wagner.
Koço investigates the repertory of traditional urban song and music of the Korçë area and the “distinctive” song associated with Korçë city, Albania. He also introduces the Korçare urban song and urban lyric song, introduced during the Ottoman domination of the Balkans.
Commitment to Musical Excellence
For 75 years, the internationally recognized Gustavus Choir has built a heritage of choral music rooted in the a cappella tradition. This book chronicles the ensemble’s history, the legacy of its six conductors, and its unwavering commitment to musical excellence.
This compendium of interdisciplinary research presents new “readings” on topics from opera by Handel and Mozart to 1960s popular sound. Chapters discuss operatic lighting, Wagner’s leitmotif technique, music and social media, and the art and politics of the collective Laibach.
Giacomo Meyerbeer
Beyond his famous operas, Giacomo Meyerbeer wrote extensively for the voice in other genres. This volume presents the texts for his non-operatic stage works, occasional public pieces, sacred music, and songs, in the original and in English translation.
Ludwig Minkus; Fiammetta/Néméa
Aloysius Ludwig Minkus, famous for his ballets Don Quixote and La Bayadère, launched his career through a collaboration with the great choreographer Arthur Saint-Léon. Together they produced works in St Petersburg and Paris, including Néméa and The Golden Fish.
Cesare Pugni
An opium dream in an ancient tomb hurls an English Lord into the past. He must save the Pharaoh’s daughter from a rival king and journey through a land of myth and wonder. But can their love survive the harsh light of dawn?