The Virtuoso as Subject
Cvejić provides a novel interpretation of the sudden and steep decline of instrumental virtuosity in its critical reception during the nineteenth century, documenting it with a large number of examples from Europe’s leading music periodicals at the time.
The World of South African Music
This Reader is a selection of influential, rare, historic, and contemporary texts on South African music, chosen to provide a deep understanding of the music itself. Indispensable to scholars and enthusiasts, it is vital for those looking for a way into this world.
Towards a Model of Gravitonicity
What is musical “gravitation”? This book proposes a new model: the “Gravi-Tone Series.” Using audio analysis and Chord Scale Theory, it maps twelve “distance” values to pitches—a system metaphorically shaped by physical space, offering a unifying perspective on harmony.
Koço investigates the repertory of traditional urban song and music of the Korçë area and the “distinctive” song associated with Korçë city, Albania. He also introduces the Korçare urban song and urban lyric song, introduced during the Ottoman domination of the Balkans.
Training the Composer
Uncover the teaching methods of masters Schoenberg and Boulanger. For the first time in print, this text analyzes their materials, contrasting the German and French schools to forge a new, effective pedagogy for composition teachers.
Transatlantic Malagueñas and Zapateados in Music, Song and Dance
An exploration of two fandango dances across the Spanish and Portuguese Empires. While malagueñas are an incarnation of Spanishness caught in a fraught imperial past, zapateados—shaped by Africanist and Native American footwork—cut toward a future born of resistance.
This volume focuses on how music and arts in the global Africana world are used for political and social change. It covers diverse topics from the African thematics of jazz to protest movements in Senegal and Nigeria and the art of Jean-Michel Basquiat.
This book discusses the manuscript sources for the music of Luigi Boccherini, a foremost 18th-century composer. Experts explore manuscript types, chronology, catalogues, and specific works, making this an indispensable tool for any scholar of his life and work.
Venanzio Rauzzini
Venanzio Rauzzini was a celebrated singer and composer for whom Mozart wrote the motet, Exultate jubilate. His cantata, Piramo e Tisbe, was drawn from his own hit London opera, preserving the principal elements of the story.
Visualization and Critical Digital Pedagogies
Drawing on anthropology and music analysis, this study of digital visualization explores its import for critical pedagogy. It offers a hands-on approach for researchers, educators, and artists seeking to open passageways between theory and praxis in the digital humanities.
Voices of Identities
The contributions here represent the proceedings of the Annual Congress of the Austrian Society for Musicology in 2014, and open multiple perspectives on the identity-relevant implications of every kind of vocal music from the last days of the Habsburg Empire to the present day.
William Boyce
This sourcebook on William Boyce, England’s leading 18th-century composer, brings together significant contemporary documents on his life and career, with critical commentaries. It includes the first comprehensive catalogue of his works and discography.
William Orpen, an Outsider in France
As an official war artist in WWI, William Orpen created a unique textual and visual record of life on the Western Front. This study examines the singular and provocative work of the non-combatant artist who determined to fight the “War to End all Wars” with his pens and brushes.
Wirt und Gast oder aus Scherz Ernst
Meyerbeer’s opera Wirt und Gast, based on a tale from The Arabian Nights, tells the story of a man who would be sovereign for a day. While the work initially had no success, Weber recognized its significance, praising its “voluptuous melody.”
Women in the Arts
This pioneering collection of essays is a multi-disciplined celebration of women creators. It presents an interdisciplinary emphasis on the long-neglected contributions of women to music, visual arts, and literature, and the obstacles they overcame.
A collection of perspectives on the interplay between words and music, from opera librettos and Broadway to rap lyrics and video game soundtracks. Topics include translation challenges, censorship, and cultural analyses of contemporary song lyrics.
How does gender affect music? How did Bowie change performer identity? How sexist is glam metal? Are LGBTQ+ issues reflected in 21st century music? From French opera to metal and rap, these contributions challenge and inform, confirming that music shapes our gendered selves.
How can words and melody so successfully manipulate us? This book examines how music—from folk and rock to rap—is used to protest and to promote political, commercial, and religious authority, fueling feminist movements, propaganda, and songs of resistance.