Manifold Identities
“Manifold Identities: Studies on Music and Minorities” is a collection of essays on the music of minorities worldwide. Chapters cover groups from the Roma to the Masai and the Andes, alongside theoretical articles on minority identity and its relation to music.
Many Voices
This collection of essays re-thinks music and national identity in Aotearoa/New Zealand. The papers offer various perspectives on the interconnections between music and identity, aiming to open up critical discourse on the many sounds of a diverse nation.
Maqām
This volume offers new insights on the historical traces and present practice of maqām. Contributions from international scholars explore Ottoman music’s influence in the Mediterranean and Balkans, the revival of religious genres, and the realms between maqām and mode.
Giacomo Meyerbeer is the only composer who wrote for three eras of 19th-century music, straddling German, Italian, and French opera. This study examines his six Italian operas (1817-1824), whose treasures have been rediscovered and are explored in terms of origins and content.
Meyerbeer’s L’Africaine
This study examines the creation, dramaturgy, and musical style of L’Africaine, the final opera by Meyerbeer and Scribe. It covers its astonishing reception and revival, featuring a collection of iconography and its interpretation by the greatest singers of opera’s Golden Age.
This study explores Meyerbeer’s dramatic and vocal genius through his German Singspiels and Parisian triumphs. His later works fuse captivating beauty with extreme virtuosity, reaching new heights of technical and dramaturgical refinement.
Meyerbeer’s Le Prophète
Meyerbeer’s Le Prophète was once one of the world’s most famous operas. Based on a tragic Reformation episode, it explores religion, power, and politics with powerful, gripping music. This study examines the opera’s origins, creation, and its astonishing global reception.
Meyerbeer’s Les Huguenots
Meyerbeer’s most popular opera, Les Huguenots, is a gigantic drama of faith, love, and self-sacrifice set against the Saint Bartholomew Massacre. Its music reaches sublime heights, capturing the tragedy of religious intolerance with intense passion.
Meyerbeer’s Robert le Diable
Meyerbeer’s Robert le Diable is a milestone of French grand opéra. This book traces the opera’s history and music, and examines the fascinating iconography generated by its famous scenes, including the legendary Ballet of the Nuns, a touchstone of dark Romanticism.
The definitive musical biography of Mikis Theodorakis, the revolutionary composer who became a Greek icon of resistance. Born from the author’s personal friendship with the composer and written with his blessing, this is the authoritative account of a true popular hero.
Music and Literary Modernism
Scholars examine the intersections of music, literature, and language in modernism. Essays explore music’s place in the writing of Joyce, Woolf, and Pound, and literature’s importance for composers from Antheil to The Beatles. Revised and updated second edition.
Music and Literary Modernism
Scholars examine the intersections of music, literature, and language in modernism. Essays explore the place of music in the writing of Joyce, Woolf, and Pound, and the importance of literary art for composers from Messiaen to The Beatles.
Music and Magic
The magic of jazz is Tricksterism. Greats like Charlie Parker, Louis Armstrong, and Dizzy Gillespie were Tricksters, taking pop songs and refashioning them into gold. These magician-Tricksters transform all they touch. This book explains how they do it.
Music and Minorities from Around the World
The study of music has become an important gateway into understanding the culture of minorities. This volume attends to Jewish themes, with authors from four continents. Its global scope and varied approaches represent the broad range of modern ethnomusicology.
Music and Sonic Art
This title gathers practitioners and theorists of music and sonic art to discuss a range of historical, artistic, pedagogical and critical issues from multiple perspectives, emphasizing the continuities and links along a broad spectrum of hearing and listening practices.
Music and Technologies is a collection of articles by musicians, computer scientists, and educators from all over the world. It explores contemporary ideas in the field, from automatic cognition and simulation to the re-creation of music, with sound and scoring at its core.
Music and/as Process brings together innovative scholars to explore music as a dynamic process. Covering composition, performance, and analysis, these forward-thinking essays challenge the traditional concept of the musical ‘work’ and bring the practitioner to the foreground.
Music as a Spandrel of Evolutionary Adaptation for Speech
Music makes no sense in the light of evolution. This book reveals it as an innate language that unlocks our imagination, allowing us to transcend reality and create. Not bad for what began as a spandrel of speech.
This book challenges the ontological unity of music, philosophy, and mathematics, then explores music as social history—probing ideological style debates and the cultural memory of post-Stalinism in the 1950s and 60s.
Music Glocalization
The first major book to apply the timely notion of “glocality” to music, it offers a distinctive theoretical perspective and advanced insights into how music is impacted by the interaction of global forces with local conditions.