This book traces the development of music in the late 20th and 21st centuries through the work of six women composers. It integrates cultural contexts with their biographies and provides in-depth analyses of how they developed their own distinctly personal musical styles.
Sound in Motion
This collection sheds light on the intimate relationship between music and audiovisual culture in contemporary society. It includes indispensable studies on music and cinema, as well as original research on music in videogames and television.
Diversity in Australia’s Music
This volume showcases the rich diversity of music in Australia from colonial times to the present. Starting with an overview of developments during the past 50 years, the contributions discuss both Western and non-western genres and the history of music-making in the country.
Manifold Identities
“Manifold Identities: Studies on Music and Minorities” is a collection of essays on the music of minorities worldwide. Chapters cover groups from the Roma to the Masai and the Andes, alongside theoretical articles on minority identity and its relation to music.
These essays provide a snapshot of the collaborative and distributed processes employed by today’s contemporary music practitioners. The volume reveals the varied nature of creative approaches in composition, performance, and improvisation.
Rockin’ the Borders
This volume investigates how rock music has shaped identities and lifestyles since the 1950s. It offers a comparative perspective on rock’s role in everyday life in the USA and Europe, including states on both sides of the Iron Curtain.
The seven scholarly essays gathered here explore local scenes and identities within heavy metal music from multiple angles, covering a variety of different countries and metal sub-genres from Finland to Indonesia, and from black metal to metalcore.
Who were the early recording artists of American Folk and Country? Where did their songs originate? A specialist in early rural recordings gives answers, drawing on years of first-hand research, field trips to Appalachia, and a substantial private collection.
Symphony and Song
This volume explores the relation between words and music from a variety of critical and practical perspectives. Topics investigated here include opera and pop music from around the world, Australian Aboriginal oral poetry, and censorship of song lyrics.
Many Voices
This collection of essays re-thinks music and national identity in Aotearoa/New Zealand. The papers offer various perspectives on the interconnections between music and identity, aiming to open up critical discourse on the many sounds of a diverse nation.
Yakupov summarises the communicative processes encompassing the creation, interpretation, perception, and evaluation of the various phenomena of musical art. He considers the numerous communicative links in the spheres of the composer, performer, listener and musicologist-critic.
Women in the Arts
This pioneering collection of essays is a multi-disciplined celebration of women creators. It presents an interdisciplinary emphasis on the long-neglected contributions of women to music, visual arts, and literature, and the obstacles they overcame.
This volume presents two ballets by Ludwig Minkus, composed at the peak of his powers with choreographer Marius Petipa. It includes the beloved Grand Pas from Paquita, a jewel of the classical repertoire, and the allegorical work, Nuit et Jour.
Music and Minorities from Around the World
The study of music has become an important gateway into understanding the culture of minorities. This volume attends to Jewish themes, with authors from four continents. Its global scope and varied approaches represent the broad range of modern ethnomusicology.
Philosophical Considerations on Contemporary Music
Fronzi describes how complexity in music of the 20th and 21st centuries can be tackled philosophically, starting from certain characteristics. He identifies nine characteristics that permit us to open up philosophical-cultural paths and interpret contemporary music developments.
William Orpen, an Outsider in France
As an official war artist in WWI, William Orpen created a unique textual and visual record of life on the Western Front. This study examines the singular and provocative work of the non-combatant artist who determined to fight the “War to End all Wars” with his pens and brushes.
Özdemir proposes a new theoretical model, Tritonet, that provides a unique approach to music theory by reintroducing the ‘Circle of Fifths’. It offers additional components that turn the circle into a musical calculator, which can be used to construct musical structures visually.
The Jewish Experience in Classical Music
Shostakovich, a 20th-century Russian composer under Soviet rule, and Daniel Asia, a contemporary Jewish-American, are two highly dissimilar composers connected by the common thread of Jewish music. This book explores their use of it to express Jewish suffering and faith.
Experiencing Rhythm
What is the common rhythmical base that unites the diverse musical styles of Madagascar? Musician and researcher Jenny Fuhr explores this claim through intense involvement in music-making, challenging prevalent Western perspectives on music.
This volume highlights the growing fusion and blurring of boundaries between traditional genres. Topics explored range from intercultural opera and the Rocky Horror Show to trans-genre adaptation in Strauss and Glass, and how the physical body dictates movement.