Rock n Roll and Nationalism
In essays on countries from the United States to Russia, scholars, performers, and journalists explore the fascinating interplay between national identities and the rock music idiom, leading to a new understanding of rock and nationalism.
The Beggar’s ‘Children’
No author has looked beyond John Gay’s The Beggar’s Opera to analyze the works it spawned. This insightful study is the first to explore these descendants—the ballad operas, comic operas, and burlettas of the 18th century—with musical examples and plots.
Over the Edge
The authors in this volume bring new ideas from their research to help us create spaces we can claim as our own. These essays explore culturally produced markers of identity, revealing connections that challenge our perspective of scholarly subjects.
Sonic Mediations
Sonic Mediations is a collection of essays that invites readers to rethink mediation by examining the relationships between the body, sound, and technology. It addresses key questions about performance, perception, and the role of the listener.
Many Voices
This collection of essays re-thinks music and national identity in Aotearoa/New Zealand. The papers offer various perspectives on the interconnections between music and identity, aiming to open up critical discourse on the many sounds of a diverse nation.
Applied Ethnomusicology
Applied ethnomusicology is an approach guided by social responsibility toward solving concrete problems. This volume brings together diverse perspectives on its potential in contributing to sustainable music cultures and the use of music in conflict resolution.
Irish Music Abroad
This musical ethnography of Birmingham, 1950–2010, traces how Irish music moved from private arenas to the city’s public heart. It shows how the community conquered challenges, like the IRA bombings, to create its massive St Patrick’s Parade.
Music and Minorities from Around the World
The study of music has become an important gateway into understanding the culture of minorities. This volume attends to Jewish themes, with authors from four continents. Its global scope and varied approaches represent the broad range of modern ethnomusicology.
This book offers a multidisciplinary approach to music in Turkey. Chapters explore topics ranging from the cognitive responses of musicians listening to atonal chords, to Turkey’s heavy metal scene, and the historical mission to “contemporize” music.
Yakupov summarises the communicative processes encompassing the creation, interpretation, perception, and evaluation of the various phenomena of musical art. He considers the numerous communicative links in the spheres of the composer, performer, listener and musicologist-critic.
Opera as Anthropology
Kotnik considers the relationship between opera and anthropology. His study rests on the following central arguments: on the one hand, opera is a new and “exotic” topic for anthropologists, while, on the other, anthropology is still seen as an unusual approach to opera.
The Global Reach of the Fandango in Music, Song and Dance
This book lays the foundations for learning about the fandango, an 18th century dance and music craze across Spain and the Americas. It describes how the dance became a conduit for the syncretism of music, dance and people and how it signified freedom of movement and expression.
Philosophical Considerations on Contemporary Music
Fronzi describes how complexity in music of the 20th and 21st centuries can be tackled philosophically, starting from certain characteristics. He identifies nine characteristics that permit us to open up philosophical-cultural paths and interpret contemporary music developments.
The Intertwining of Culture and Music
Salamone examines various kinds of love and the way music reflects them. His text is about romantic love, ethnic pride and love, love and the media, and various other loves we have, especially love for popular culture.
This volume explores Roberto Gerhard’s work from the early Wind Quintet through to the late period Metamorphoses. It suggests evidence that situates his idiosyncratic experiments alongside, rather than after, the total serialist works of his European counterparts.
Postgraduate Voices in Punk Studies
The first academic collection of postgraduate research on the punk scene. These cutting-edge, interdisciplinary studies explore themes of gender, race, and sexuality, covering topics from French straight-edge to the links between punk and 90s rave culture.
The Israeli Defence Forces’ Representation in Israeli Cinema
This title looks at whether Israeli art and film now place a focus on soldiers not as fighters, but as victims, and discusses the relationship between King David as an adult and the State of Israel half a century after its establishment.
Diversity in Australia’s Music
This volume showcases the rich diversity of music in Australia from colonial times to the present. Starting with an overview of developments during the past 50 years, the contributions discuss both Western and non-western genres and the history of music-making in the country.
Sound in Motion
This collection sheds light on the intimate relationship between music and audiovisual culture in contemporary society. It includes indispensable studies on music and cinema, as well as original research on music in videogames and television.
This compendium of interdisciplinary research presents new “readings” on topics from opera by Handel and Mozart to 1960s popular sound. Chapters discuss operatic lighting, Wagner’s leitmotif technique, music and social media, and the art and politics of the collective Laibach.