An Early Hautboy Solo Matrix
Using Pez’s Symphonia, the earliest hautboy solo, as a template, this book reveals a lost seventeenth-century practice of adapting other works for the instrument, offering new repertoire for performers and insights for scholars.
Cesare Pugni
Based on a popular Russian fairy-tale, The Little Humpbacked Horse tells of the spectacular deeds of Ivanushka with the help of a magical horse. Created by Arthur Saint-Léon with music by Cesare Pugni, it was the first ballet based on Russian folklore.
First appearing in 1903, this is a well-balanced account of Chopin as a man and composer. Full of vigour and passion, it reveals a more honest perception of his effect on audiences than many modern accounts. A must for enthusiasts and a great way for newcomers.
Il Crociato in Egitto
This book reproduces the vocal score of Meyerbeer’s opera Il Crociato in Egitto, a work standing between epochs. The antagonism between Crusaders and Egyptians is depicted as a confrontation between cultures, blending traditional virtuosity with modern dramaturgy.
Wirt und Gast oder aus Scherz Ernst
Meyerbeer’s opera Wirt und Gast, based on a tale from The Arabian Nights, tells the story of a man who would be sovereign for a day. While the work initially had no success, Weber recognized its significance, praising its “voluptuous melody.”
The Meyerbeer Libretti
This volume presents the libretto for Meyerbeer’s final grand opéra, L’Africaine. A fictional treatment of Vasco da Gama’s voyage, it is a mixture of history and fairytale. In this edition, the original text and its English translation are on facing pages.
Giacomo Meyerbeer
Meyerbeer’s first opera, Jephtas Gelübde, transforms the Biblical tale of a tragic vow into a rescue opera. Containing the seeds of his future genius, the music points towards Weber and Wagner, realizing a powerful story of love and duty.
Giacomo Meyerbeer
This volume presents the pieces of music—from fragments to whole scenes—not used in the final performing edition of Meyerbeer’s L’Africaine. These unused variants remain a crucial source for the history and future of this great opera.
Romualdo Marenco
In Manzotti’s spectacular allegorical ballet Excelsior, the rise of human civilization is an embittered struggle between Light and Darkness. As inventions triumph, Marenco’s exhilarating music celebrates an apotheosis of light, progress, and peace.
This accessible work traces Haydn’s development as both a man and a composer. It details his compositions, social habits, humour, and piety, and includes a useful catalogue of his works, a selection of his letters, and his last will and testament.
This study examines Louis-Ferdinand Hérold, whose famous works like the opera Zampa and the ballet La Fille mal gardée shaped the Romantic opéra-comique and ballet in 1820s Paris. Hérold sought greater Romantic depth without forfeiting a Gallic lightness of manner.
The Viennese operetta masterpiece *Der Seekadett* delighted audiences for 80 years. This book restores the lost work, presenting the complete libretto in English, German, French, and Italian. The story features humour, romance, a deadly duel, and a chess game with live figures.
Franz von Suppé
Franz von Suppé established the Viennese operetta, a genre full of charm and gaiety. His sense of melody, rhythmic verve, and brilliant orchestral technique found preeminent expression in his overtures, which became celebrated all over the world.
Giacomo Meyerbeer
Giacomo Meyerbeer’s cantatas were written for royal and civic commissions to celebrate dynastic events and praise famous men. His powers of lyric beauty and dramatic pomp are amply in evidence, revealing a forgotten side to the great operatic composer.
Daniel-François-Esprit Auber
19th-century French composer Auber and librettist Scribe formed one of musical history’s most successful partnerships. Their opera *Manon Lescaut* features a unique final scene: a powerfully expressive dramatic symphony of simple grandeur and real emotion.
Daniel-François-Esprit Auber
Auber & Scribe’s opéra-féerique Le Cheval de bronze is one of the composer’s best achievements. Its witty, exotic plot involves a magical horse that transports men to Venus and its sirens. A forgotten gem brimming with invention, fantasy, and comedy.
Venanzio Rauzzini
Venanzio Rauzzini was a celebrated singer and composer for whom Mozart wrote the motet, Exultate jubilate. His cantata, Piramo e Tisbe, was drawn from his own hit London opera, preserving the principal elements of the story.
Daniel-François-Esprit Auber
By one of the 19th century’s most successful opera composers, Le Domino noir is a masterpiece of wit and melodic grace. A noblewoman, destined for the convent, falls for a stranger at a masked ball in a tale of love, duty, and feminine independence.
Explore Daniel Auber’s forgotten opera, *Les Chaperons blancs*, a work of political conspiracy written between two of his greatest hits. This essential volume provides the complete vocal/piano score, preceded by a rich analysis of its music, history, and dramaturgy.
Ludwig Minkus
Marius Petipa’s exuberant ballet Don Quixote, with its celebrated score by Ludwig Minkus, is based on the adventures of Kitri and Basilio from Cervantes’s novel. This edition reproduces the piano score of the classic St. Petersburg version.