Daniel-François-Esprit Auber
In Auber’s opéra-comique La Sirène, travellers are caught in an ambush after hearing the entrancing song of Zerlina, the Siren. She aids her bandit brother, but when she falls for their handsome captive, a tale of romance and revealed identities begins.
Daniel-François-Esprit Auber
Auber and Scribe’s masterful opéra-comique Haydée is one of the composer’s richest scores. A Venetian admiral is haunted by guilt after cheating a friend who then killed himself. Blackmail, love, and Venetian pomp drive this psychological drama.
Daniel-François-Esprit Auber
Auber & Scribe’s opéra-féerique Le Cheval de bronze is one of the composer’s best achievements. Its witty, exotic plot involves a magical horse that transports men to Venus and its sirens. A forgotten gem brimming with invention, fantasy, and comedy.
Daniel-François-Esprit Auber
Once a giant of 19th-century French opera, Daniel Auber partnered with librettist Eugène Scribe for his first enduring success, Le Maçon. In this thrilling rescue opera, a Parisian mason is abducted and must become a hero to save the innocent.
Auber, a key 19th-century French composer, and librettist Scribe created the successful opéra-comique Le Concert à la cour. In this one-act work, a young singer’s debut is sabotaged. It showcases the elegance and finesse of the composer’s art.
Auber and Scribe’s Les Diamants de la couronne is a refined fantasy where a Portuguese queen counterfeits the crown jewels to save her nation. The music is brilliant, with variations of the greatest virtuosity. This edition reproduces the Royal Edition vocal score.
An insight into composer Daniel Auber through a close examination of one of his most popular operas, La Part du Diable. This volume provides the complete vocal/piano score, preceded by an introduction to Auber’s life and an analysis of the opera.
Explore Daniel Auber’s forgotten opera, *Les Chaperons blancs*, a work of political conspiracy written between two of his greatest hits. This essential volume provides the complete vocal/piano score, preceded by a rich analysis of its music, history, and dramaturgy.
This book is about musical canons and de-canonizing music history. Its main goal is to deconstruct these canons: to analyze and problematize them in their variety through artistic encounters where art meets popular, ethnic meets education, and avantgarde meets mainstream.
Diversity in Australia’s Music
This volume showcases the rich diversity of music in Australia from colonial times to the present. Starting with an overview of developments during the past 50 years, the contributions discuss both Western and non-western genres and the history of music-making in the country.
Dylan at Play offers new ways to meet the singularity of Bob Dylan’s work. With a goal of play, not definition, this collection features fresh voices offering reverent scrutiny and mischief, inspiring readers to invent their own experiences of the artist.
EIN FELDLAGER IN SCHLESIEN
Composed in 1844 for the King of Prussia, Meyerbeer’s patriotic opera *Feldlager* was a success confined to Berlin. Yet its music achieved global fame, with melodies adapted for the ballet *Les Patineurs*, known by many ignorant of their true source.
Emma di Resburgo
A tale of dynastic rivalry, kidnap, and usurpation in a wild Scotland, Emma di Resburgo established Meyerbeer’s reputation in Italy. This milestone of Romantic opera blends the Rossinian idiom with the composer’s own technical mastery and rich invention.
Eric Ball
This book traces the life and work of renowned twentieth-century Brass Band composer Eric Ball, a great figure in the Brass Band Movement. It surveys his music and researches his involvement with the Salvation Army.
Britten’s music is complex and contradictory. This collection of essays by performers, musicologists, and theorists challenges assumptions about musical constructs, text/music relationships, and the personal influences on his compositional technique.
Essays on Music, Politics and Resistance
This volume explores the relationship between music, power, and politics. Going beyond protest, it reveals how music serves as a tool for empowerment and social justice, helping marginalized communities establish a voice, foster identity, and shape new political realities.
This volume explores Roberto Gerhard’s work from the early Wind Quintet through to the late period Metamorphoses. It suggests evidence that situates his idiosyncratic experiments alongside, rather than after, the total serialist works of his European counterparts.
The fifteen chapters here look at a variety of popular and folk music from around the world, with examples of British, Slovene, Chinese and American songs, poems and musicals, demonstrating how lyrics set to music can reflect, express and construct collective identities.
‘Ethnic’ piano rolls are an important part of a still-neglected musical heritage. They encapsulate the musical life of several continents and various ethnic communities based in the USA. This volume represents the latest research on these unique and rare cultural artefacts.