Wirt und Gast oder aus Scherz Ernst
Meyerbeer’s opera Wirt und Gast, based on a tale from The Arabian Nights, tells the story of a man who would be sovereign for a day. While the work initially had no success, Weber recognized its significance, praising its “voluptuous melody.”
This book challenges the ontological unity of music, philosophy, and mathematics, then explores music as social history—probing ideological style debates and the cultural memory of post-Stalinism in the 1950s and 60s.
This book explores the surprisingly diverse musical landscape of Invercargill, a city at the bottom of Aotearoa/New Zealand. It illustrates the importance of music in local communities, enriching social connectedness, local identity, and the lives interwoven through them.
My Kind of Sound
Music shapes our identity. This book explores music as culture, art, and industry. It examines phenomena from the global rise of Reggaeton to iconic artists like David Bowie and the crucial role of music in TV series, showing how it challenges us to rethink our view of the world.
American Wind Music
The transitions that occurred in everyday life after the new “America” was created after the Revolutionary War are reflected in the type of wind music local groups were performing. Kolman traces the development of these new compositions found in available Instrumental Tutors.
Koço investigates the repertory of traditional urban song and music of the Korçë area and the “distinctive” song associated with Korçë city, Albania. He also introduces the Korçare urban song and urban lyric song, introduced during the Ottoman domination of the Balkans.
A Study of the Parallels between Visual Art and Music
Standard surveys of art imply a continuity between Rembrandt and Koons, between Caravaggio and Hirst.
They are all wrong. There is no such continuity. This book explains why these claims are false, and how we arrived at this point of great confusion about the arts.
Popular Music, Ethnicity and Politics in the Kenya of the 1990s
Okatch Biggy was the single most dominant benga artiste of the 1990s. Mboya analyzes Biggy’s songs as works of art, identifying the aesthetic and rhetorical conventions that are deployed in the songs, and exploring the central messages of the music, and their significance.
Postgraduate Voices in Punk Studies
The first academic collection of postgraduate research on the punk scene. These cutting-edge, interdisciplinary studies explore themes of gender, race, and sexuality, covering topics from French straight-edge to the links between punk and 90s rave culture.
Voices of Identities
The contributions here represent the proceedings of the Annual Congress of the Austrian Society for Musicology in 2014, and open multiple perspectives on the identity-relevant implications of every kind of vocal music from the last days of the Habsburg Empire to the present day.
Cinematic Schooling
Combs uses the metaphor of schooling to highlight the conviction that the widespread attention given to moving pictures in their various venues is not only diverting and entertaining, but also educative, although subtle and suggestive rather than explicit and didactic.
Piso offers a detailed investigation of the singing technique generally known as “inhaling the voice” technique, and analyses the usage of vowels in spoken and sung variants, offering advice to singers regarding how they can improve their pronunciation of vowels and consonants.
Musical Aesthetics
This book adopts an experiential approach to musical aesthetics, valuing intuitive, subconscious responses over intellectual analysis. Drawing from science, philosophy, and the humanities, it explores our deep attraction to music, offering user-friendly insights for all readers.
The seven scholarly essays gathered here explore local scenes and identities within heavy metal music from multiple angles, covering a variety of different countries and metal sub-genres from Finland to Indonesia, and from black metal to metalcore.
Bruce Springsteen’s America
Moving from jargon-free critical analysis to a fan’s passionate participatory research, this book places work and class at the centre of Bruce Springsteen’s oeuvre. It presents him as the bard of the downtrodden and is testament to the life-giving power of rock and roll.
Opera as Anthropology
Kotnik considers the relationship between opera and anthropology. His study rests on the following central arguments: on the one hand, opera is a new and “exotic” topic for anthropologists, while, on the other, anthropology is still seen as an unusual approach to opera.
Symphony and Song
This volume explores the relation between words and music from a variety of critical and practical perspectives. Topics investigated here include opera and pop music from around the world, Australian Aboriginal oral poetry, and censorship of song lyrics.
This volume highlights the growing fusion and blurring of boundaries between traditional genres. Topics explored range from intercultural opera and the Rocky Horror Show to trans-genre adaptation in Strauss and Glass, and how the physical body dictates movement.
Ludwig Minkus La Bayadère
Ludwig Minkus’s score for La Bayadère conjures an exotic India, where a world of rivalry and death contrasts with a realm of dreams and transcendent love, realized in the famous Kingdom of the Shades. Here for the first time is the piano score of the entire ballet.
Il Crociato in Egitto
This book reproduces the vocal score of Meyerbeer’s opera Il Crociato in Egitto, a work standing between epochs. The antagonism between Crusaders and Egyptians is depicted as a confrontation between cultures, blending traditional virtuosity with modern dramaturgy.