Narrating the Storm
This volume of sixteen narratives from Hurricane Katrina shows how “personal” experiences with disaster are not so personal. These stories reveal how inequality and injustice related to race, class, and gender are unveiled and exacerbated by disaster.
Film scholars, drawing upon psychology, analyze the connections between stylistic patterns and aesthetic effects. This selection of essays focuses on elements of filmic narration to gain tangible insight into the ancient mystery of the link between art and experience.
Narrative and Multimodal Approaches to Corporate Discourse
This book investigates the narrative and multimodal strategies traditional Italian family firms use to promote their corporate identity abroad. It offers linguistic perspectives on corporate discourse for students and scholars in marketing, business, and applied linguistics.
This collection of essays focuses on Anglo-American modernist fiction, considering it in the instances in which it transcends itself, moving towards postmodernist self-irony. It follows how these modernist authors’ perspectives on literature evolved with the changing world.
Narrative Criminology
This guide on narrative criminology shows how academia and entertainment can blend. For true crime creators and criminology students, it is an insider’s guide to crafting compelling, responsible narratives that educate and entertain without lowering academic standards.
Narrative Framing in Contemporary American Novels
Studniarz studies several doubly-mediated texts published 1968-2014, including John Gardner’s “The King’s Indian” and Paul Auster’s “Travels in the Scriptorium”. He sparks the revival of interest in fictions in parentheses, showing the need for research into more recent novels.
Narrative is the Essence of History
The historical novel was once admired, then disparaged by critics, though it always remained popular. Now, it is again receiving critical praise. What is the essence of historical fiction? Why is it such a resilient genre? What is its future?
Narrative Rewritings and Artistic Praxis in Derek Walcott’s Works
This book moves beyond Derek Walcott’s Nobel Prize-winning poetry to reveal his fundamental contribution to Caribbean theatre and art. Examining key works as postcolonial re-writings of European stories, it uncovers the strategies Walcott used to respond to colonial power.
This title enquires into the processes by which certain contemporary women pay testimony to history. It examines the reasons why they recreate the past, whether political, social or artistic, and the strategies employed to establish a comparison with the present.
Narrative, Social Myth and Reality in Contemporary Scottish and Irish Women’s Writing
This book analyzes the link between myth, identity, and reality, examining how contemporary Scottish and Irish women writers reconfigure normative stories to create new possibilities for feminine identity and social order.
This volume is centred around the idea that the aim of literature is to build bridges, and, as such, focuses on the moral purpose of literature and its tendency to overcome divisive forces, using examples from texts across various geographical and cultural borders.
Narratives and Songs from Atauro Island, Timor-Leste
This first-ever multilingual archive of endangered oral traditions from Atauro, Timor-Leste, was created in collaboration with the island’s communities. Discover tales of the island’s origin—revealed when arrows pierce the sea—alongside traditional songs and cultural texts.
This volume offers an approach to narratives in the 21st century, amid growing concern with the decreasing explanatory capacity of theoretical concepts and narrative configurations. It provides cutting-edge research from a variety of disciplines, including the social sciences.
Narratives of Community
This collection of essays examines short story sequences by women from around the world. Using diverse theoretical models, contributors consider how female identity is negotiated in community, making a major contribution to feminist and genre theory.
Spalding sets out a challenging re-interpretation of the politics of Labour’s left-wing, highlighting how the Left developed a range of simplistic, self-sustaining narratives, rather than supported analyses, to guide its actions in the aftermath of the political crisis of 1931.
Narratives of Identity
From 1895 to 1914, the Syrian Orthodox Church and the Church of England developed a relationship that shaped their identities. Drawing on rare archives, this book explores their dialogue and search for recognition amid the growing instability of the Ottoman Empire.
Through art, mythology, literature, and archaeology, this volume uncovers how power was displayed in the Ancient world, from Egypt’s 18th Dynasty to the Sassanian Empire.
Narratives of the Therapeutic Encounter
Exploring a vibrant, unexplored corpus, these essays analyze depictions of talking therapy in French literature. Combining psychoanalytic and fictional texts, the volume focuses on the creative potentials and ethical dilemmas that arise in the therapeutic encounter.
Nat Turner in Black and White
This book reveals how writers imagine cautionary Nat Turner-tales, making him a misunderstood and polarizing figure. By locating the Turner Insurrection within historical race trauma, writers expose the lasting impact of slavery and frame rebellion as heroic.
Nation vs. People
Provoked by the tragedy of Bosnia, this book tackles the global challenge of reconciling 200 states with 8000 ethnic groups. Are nation-states the only answer? The author insists on new notions of nation and people, defining them as societal phenomena.
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