These essays explore how Maine’s unique identity was constructed through its literature as a place imagined primarily through its “nature” and landscape. Discussing writers from Thoreau to E.B. White, this collection shows how this image was formed and endures.
Why Unitary Social Science? argues that the division of social science into discrete disciplines thwarts the emergence of an objective science of society. Social science is seen here as unitary, with diverse specialisations emerging from a single base.
Pearce delivers sensible emergent aesthetics, explaining the processes that happen in human minds when we share ideas as works of art. He considers how this skews the orthodoxies of contemporary art with pragmatic wisdom about why representational art thrives in the 21st-century.
Children on the Boundaries of Time and Space in Sub-Saharan Africa
This book departs from stereotypes to analyze children’s rights and well-being in sub-Saharan Africa. It explores the conflict between official policies and reality, bridging the gap between government rhetoric and effective practice to help children thrive.
Many Floridas
This collection of feminist essays envisions change for women in Florida. Authors write from various intersections of class, race, and sexuality to bridge the gap between theory and practice, making meaningful connections between the academy and the community.
Among the earliest books on Edvard Grieg, and written while he was still alive, this volume is a thorough account of the man and his music. It explores his influences, from Ibsen to Norwegian folk music, making it indispensable for scholars and newcomers alike.
Death and Fantasy
This collection of essays explores how a range of fantasy texts deal with the reality of death, uncovering fascinating links and tensions between the writers.
These essays engage with the connection between aesthetics and radical politics. Moving beyond Marxist approaches, they explore culture from other radical positions—anarchist, autonomist, and ecological—revealing an exhilarating break with earlier cultural critique.
Designed for the general reader, this book explores the larger sweep of Kant’s thought. Wenley’s penetrating yet remarkably clear style makes complex ideas accessible, while its scholarly nature makes the work as useful to the Kant specialist.
“Security of Archaeological Heritage” covers heritage management in archaeology from England to Bangladesh. It reflects real international exchange experience, based on the proceedings of two recent meetings that took place in Ireland and Russia.
Discover current scholarship on the Middle and Far East. These essays offer new perspectives on the region’s languages, literatures, and cultures, from theory and gender to pedagogy.
Teaching Art History with New Technologies
New technologies offer possibilities for art history instruction. This text assists faculty with case studies from early adopters who have advanced the discipline’s pedagogy. It provides practical suggestions and summarizes lessons learned for all educators.
Road Memories
This volume explores the image of the Traveller/Gypsy, the migrant, and the “Other.” In an age of mass migration, diaspora communities such as Travellers and Gypsies disrupt dominant cultural narratives and serve to hybridise the discourse.
Migrancy, Memory and Repossession
This book explores the hidden histories of women artists on the periphery of mainstream society. By analysing their representations of “marginal” groups like Travellers and Roma, it uncovers new conclusions about the relationships between different cultures.
These essays explore “identity and dialogue” from perspectives like art, politics, and gender. Within diverse cultural contexts, they question the relational element at work in identity formation, disclosing how it is conditioned by self and otherness.
Soviet repressions and a nationalist focus on Christian roots have made researching shamanism in Armenia no easy business. This study confronts this impasse, helping to set in motion the process of uncovering these ancient and suppressed practices.
This memoir is a tale of one man’s survival despite all odds. It is an inspiring story of iron will and hope, enduring Stalin’s purges and WWII. One man’s life becomes the reflection of an entire country that has lived through decades of injustice.
Breaking Forms
During Ireland’s “Celtic Tiger” boom, a new theatre emerged to express radical social change. Rejecting literary tradition for physicality and visual performance, artists explored what words alone could not. Breaking Forms analyzes this pivotal movement.
Gags and Greasepaint
A personal memoir of Vic, the “Sequin Queen” of Irish repertory theatre, recounted by her granddaughter, one of the last travelling artistes. A hymn to the artist whose home was the road… one final tread of the magic footboard.
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