This volume is a forum for conservators, scientists, artists, and heritage managers on the complex task of preserving our changing heritage. It unites theoretical reflections, scientific studies, and the vital experiences of all partners involved.
Conspiracy Dwellings
Nine illustrated essays by theorists and art practitioners explore surveillance in contemporary art. They consider its impact on ethics, citizenship, and resistance, and ask: where do we draw the line? At what point is the citizen a threat to the state?
Contemporary Art and Community Altruism in Oaxaca
Pyatt relates a longitudinal participant observation and analysis of the behaviour of the Oaxacan art community in Mexico, focusing on the cultural production, interaction and collective action of its members as an integrated sector of civil society.
Contemporary Dance and Southern African Rock Art
In Apartheid South Africa, the author started a mixed-race dance company in her garage. Weaving together research into rock art and transformative choreography, this book shows how dance can change attitudes, perceptions, and the human spirit. Includes a video link to the dance.
Contemporary Dance in South Africa
How does the body in South African contemporary dance protest oppressive power? This book examines key post-apartheid works to reveal their social and political meanings, capturing a unique moment in the nation’s history and telling the story of its past, present, and future.
Contemporary Practices in Bio-art
This book explores Dendro-art, a new subdivision of Bio-art focused on the human-plant relationship and recreating vanished species. The author, an artist with academic training, offers a unique perspective, examining the works of bio-artists from both the inside and out.
Contemporary Southeast Asian Performance
This volume offers vital insights into recent developments in Southeast Asian performance. Global communications have inspired novel collaborations, with contemporary artists increasingly working beyond the traditional boundaries of nation and discourses of identity.
Conversations with Indian Cartoonists
Picking up the pen is like playing with fire in political cartooning. Cartoonists draw the line to shake us out of apathy. In the tradition of Shankar and R. K. Laxman, this volume presents conversations with India’s leading cartoonists, taking us into their recondite art.
Cosimo I de’ Medici as Collector
Antiquity collections were manifestations of power. This study explores the collection of Cosimo I de’ Medici, using unpublished sources to reconstruct its display and reveal the political aims behind one of the major princely collections of its time.
A philosopher and artist analyzes the clash between government funding and censorship. Combining philosophical analysis with interviews with censored artists, this book reveals why freedom of expression is vital for a society to be both stimulating and safe.
Crash Cinema
Cinema does more than simply amuse or horrify; it communicates to us about ourselves. This book analyzes the politics of representation, asking whose ‘truth’ is being represented and why, and uncovering cinema’s power to shock, surprise, and explore the taboo.
This book reflects current discussions of the ways collaboration and participation inform the production, study, and teaching of art with innovative and unexpected results. It illustrates how the shifting boundaries of power, position, and identity result in new relationships.
This book provides a critical analysis of creativity in art, focusing on artistic creation and aesthetic perception. Long dismissed from aesthetic discourse, it argues that studying creativity is essential to understanding the nature of the artistic and the aesthetic.
Creativity and Reproduction
This study investigates how engravers transformed a reproductive medium into a creative art. It traces their rise in the French academic system as they developed an independent artistic language and emerged as original artists, rivaling painters and sculptors.
Key articles from the 2023 AusAct conference address innovative post-COVID discussions on how the Performing Arts can survive crisis. Chapters explore the significant role of acting teachers in our education sector and their contribution to the international creative economies.
Leading scholars pose fundamental questions about contemporary art in the global age. This volume maps current debates on archives, politics, labor, and the post-natural condition, providing a cartography of the conceptual intersections in global art studies today.
Critical Cartography of Art and Visuality in the Global Age II
This volume addresses questions that are crucial to approaching art, visuality, and cultural policies from the perspective of global transformations and the rise of new social, political and cultural paradigms.
Critical Method and Contemporary Film
This volume investigates what film critics do and what ideologies inform their evaluations. It traces changes in critical methodologies, arguing for the emergence of neofuturism over postmodernism, and asks: Who evaluates film, why, and does the system need to change?
Crossings
International scholars assess David Mamet’s career, from his stage classics to his forays into film, television, and the novel. This volume focuses on his diverse works and how they have been interpreted by other artists.
Beyond entertainment, Bollywood films are a platform for India’s soft power. They offer a cultural identity that challenges Western hegemony, resonating with global audiences through universal themes, vibrant visuals, and music, creating a bridge between nations.