This collection of essays explores the intersection of art and violence in the Middle Ages and the Renaissance. It will appeal to students, scholars, and readers with an interest in medieval and early modern art history.
The Making of Indigenous Australian Contemporary Art
This book reveals how Arnhem Land bark painting was critical to Indigenous contemporary art and self-determination. It charts the art’s trajectory from being understood as an ethnographic form to its appreciation as conceptual art with cultural agency and contemporaneity.
An Exploration of Prehistoric Ontologies in the Bering Strait Region
This book introduces the belief and symbolism in prehistoric Bering Strait art. It challenges traditional archaeology by reconsidering the relationship between materiality and spirituality, analyzing therianthropic motifs on ancient Inuit ivories to explore potential shamanism.
For 30,000 years, humans have created visual expressions of their sacred beings. This book investigates these interpretations of deities throughout history, exploring the psychological necessity for us to create gods and goddesses in a human-like form.
The Gladiators vs. Spartacus, Volume 2
From blacklisted director Abraham Polonsky, this is the unproduced screenplay for The Gladiators. He transformed Arthur Koestler’s complex novel of an ancient slave rebellion into a script worthy of its bold vision, but due to bad timing, it never went before the cameras.
The Gladiators vs. Spartacus, Volume 1
Using unpublished sources, this book documents the intense rivalry between movie productions of The Gladiators and Spartacus. This little-known chapter of Hollywood’s blacklist history was key to Dalton Trumbo’s successful effort to win screen credit.
This book brings together essays by researchers, artists, and curators exploring themes such as identity, memory, and technology. It features a paper by a V&A curator on photographer Maurice Broomfield and includes color portfolios by Broomfield and Craig Easton.
Mexican Mural Art
Prominent critics offer new 21st-century interpretations of the art, lives, and times of Mexican muralists José Clemente Orozco, Diego Rivera, and David Alfaro Siqueiros. These essays respond to a surging interest in Mexican mural art for a wide readership.
Global History, Visual Culture and Itinerancies
This chronologically ambitious book investigates globalization from Roman times to the present. It argues that itinerant agents carry cultural baggage, transporting and transmitting it to create interconnections and produce active changes in global history.
Sound Art and Music
This volume explores the mutually beneficial, but occasionally uneasy, relationship between sound art and music. With chapters from practitioners and theoreticians, it provides a snapshot of contemporary research across this exciting area of study.
This book studies how myths construct community identity, focusing on the fiction of Chinua Achebe and Amitav Ghosh. A comparative postcolonial analysis, it delves into how these major authors from Nigeria and India use myth to represent the cultural mores of their societies.
This book details the conservation, care, and management of Indian manuscripts. It covers their materials, writing techniques, and dating methods, as well as preventive measures for preservation, including ancient indigenous practices and the hazards of using chemicals.
Thinking Touch in Partnering and Contact Improvisation
What happens when artists take touch as a starting point? This collection of essays offers unique insights into contact in dance, with practitioner and scholarly perspectives on the importance of touch in choreography, philosophy, education, and 21st century performance.
Artists are collaborating with scientists and communities to encourage pro-environmental behavior. This book unites 28 contributors to examine the vital role of the arts in provoking change and making connections to ecology, science, and Indigenous culture.
Cinema and Intermediality (Second, Enlarged Edition)
This ground-breaking book explores the relationship between cinema and other arts. Through case studies of films by auteurs like Hitchcock, Antonioni, Godard, and Varda, it clarifies key ideas of intermediality and offers insightful analyses. Revised and enlarged edition.
The Cinematographic Activities of Charles Rider Noble and John Mackenzie in the Balkans (Volume Two)
This book details the engrossing story of two camera operators sent to the Balkans in the early 20th century. They filmed the first motion pictures of the region’s landscapes, cultural traditions, and public events, providing an exciting trip ‘through savage Europe’.
From Shakespeare to Star Wars, how are men represented on the page and screen? These essays argue that men must become aware of these representations to alter toxic patriarchal models, distinguish masculinity from patriarchy, and achieve liberation from its crippling constraints.
Interpreting the Synthesizer
This volume examines the synthesizer’s significance for music and culture. Contributors explore how the synth evolved to signify futurism for new wave acts, mind expansion for psychedelic bands, and escapism for techno, leading to its ubiquity in modern pop.
Spiritual and Corporeal Selves in India
This volume explores the union of the corporeal and the spiritual in contemporary India. It offers clues to the East-West encounter and tackles the dualism of mind and body, suggesting a rupture of binary thinking, unlike in Western theory.
Lavinia Fontana’s Mythological Paintings
This volume investigates Lavinia Fontana’s mythological paintings. The first female painter of sixteenth-century Italy to depict female nudes and mythological subjects, Fontana challenged the male tradition of history painting and paved the way for future female artists.