Arts, Politics and Social Movements
This collection describes artistic and activist actions challenging the existing order. With case studies from Europe and the US, it questions contemporary ideas in the face of the Great Transition, proposing utopian forms and asking the vital question: “what is to be done?”
Ambiguous Selves
This collection of essays on literature, film, and media contests binary thinking on gender and sexuality. Celebrating difference and deviance, these texts subvert assumed norms, revel in the fluid self, and blur the lines that separate the normal from the abnormal.
Representing Royalty
Since the early days of cinema, filmmakers have been intrigued by the lives and loves of British monarchs. Kinzler examines strategies of representing power and the staging of myths of power in seven popular films about this subject that were made after the mid-1990s.
Collective and Collaborative Drawing in Contemporary Practice
What happens when people draw together? While collaborative drawing is widely explored, there is little published research on the topic. This book establishes the field, covering conversations through drawing, collaborative processes, and drawing communities.
The International Emblem
The emblem, a Renaissance genre combining text and image, was a powerful tool for propaganda and piety. This collection of essays follows its development from its European origins to its global influence and its ongoing vitality in literature and scholarship.
The contributions here are the product of papers presented at a conference, and cover a broad spectrum of subjects such as indigeneity, music, song and identity, politics, national reconciliation, education, product development and national development.
This volume explains methods for examining oil and acrylic paint surfaces. It compares untreated and treated samples of historic and modern paints to reveal ideal cleaning systems, presenting tests of materials ranging from demineralized water and sponges to detergents.
Book Illustration in the Long Eighteenth Century
Book illustration has entered mainstream scholarship. This collection is the first step in reconfiguring the visual periphery of eighteenth-century texts, offering a multifaceted approach to a society immersed in visual culture and communication.
PaintingDigitalPhotography
This publication investigates aspects of interconnectivity between painting, the digital and photography in contemporary art practices. It contributes to discourses around networks of associations by examining where syntheses occur, and differences remain, between these media.
Heinz-Uwe Haus and Brecht in the USA
As the first renowned East German director in the USA, Heinz-Uwe Haus’s productions of Brecht were historic. This book documents his work through his notes, media reviews, academic analysis, and firsthand reflections from the cast and creative team.
Menander’s Characters in Context
To appreciate Menander’s naturalistic characters, we need a guide to his time: Aristotle. This book examines two of Menander’s comedies in this light, comparing the ancient originals to modern adaptations and shedding new light on cultural values, then and now.
Contemporary Art and Community Altruism in Oaxaca
Pyatt relates a longitudinal participant observation and analysis of the behaviour of the Oaxacan art community in Mexico, focusing on the cultural production, interaction and collective action of its members as an integrated sector of civil society.
The Sacred Town of Sankhu
This book presents a detailed view of Newar society and culture in the town of Sankhu, Nepal. Founded by the goddess Vajrayoginī, the town is a center for exploring the interplay of Hinduism and Buddhism, castes, and socio-religious life.
Bringing together specialists from various backgrounds, this book establishes, and then analyses, the interrelation between series and dependence by focusing on two aspects of their connection: the overconsumption of TV series, and the production devices that lead to it.
Trends in Radio Research
This book explores radio’s adaptation to the digital era. Drawing on international research from countries like the UK, Spain, and Brazil, chapters investigate key issues, including new business models, the function of community radio, and the future of the radio spectrum.
This is the first book to contextualize the collaborations between museums and public art through a range of essays marked by their coherence of topical focus, written by leading and emerging scholars and artists, and represents a major contribution to the field of art history.
From Shakespeare to Star Wars, how are men represented on the page and screen? These essays argue that men must become aware of these representations to alter toxic patriarchal models, distinguish masculinity from patriarchy, and achieve liberation from its crippling constraints.
In 1478, Leonardo da Vinci opened his own workshop and began painting the Benois Madonna—a work marking a strong change in his style and representation of human emotion. This book analyzes his growth as an artist in this pivotal year, detailing his training and life in Florence.
Cinema and Its Representations
This book provides a rich, multifaceted approach to cinema. It presents a lucid account of twentieth century film criticism, contemporary sociocultural theories, and literary adaptation, essential for students of media and cultural studies.
Pictorialism in Cinema
Valkola extensively explores the unique phenomenon of pictorialism and its connection with other arts in film and media studies, considering a number of theoretical and practical issues of filmic narration.