African Film Cultures
This book offers new perspectives on diverse African film cultures. It uniquely engages with the peoples, histories, geographies, and changing production cultures shaped by audiences at home and in the diaspora, providing useful analyses of socio-political factors.
The Post-Industrial Landscape as Site for Creative Practice
This book investigates the role of material memory in the post-industrial landscape and the ways landscape can host many forms of creative practice. Material memory’s role in public artworks and political installation art is detailed, within the post-industrial landscape.
Theatre Theory and Performance
Biswas offers a starting point for a much-needed critical interrogation of theatre today. He looks at the constant features of European theatre and brings in some Indian elements, before scrutinising the symbiosis that has been functioning for some time.
Symbols and Models in the Mediterranean
This anthology spans a vast chronology and territory, ranging from Old Kingdom Egypt to modern-day Slovenia. Each essay serves as a micro-study that demonstrates the many ways in which Mediterranean communities have co-opted, appropriated, and adapted symbols from one another.
Kaaber investigates the exact age of the eponymous prince in Shakespeare’s play, a topic which has been subject to frequent debates. As he shows, Henry Wriothesley, the third Earl of Southampton, once indisputably Shakespeare’s patron, is likely the inspiration for the character.
This anthology is an intellectual smorgasbord of medieval and renaissance thought. Designed not solely for scholars but also for generalists, these essays explore philosophy, poetry, drama, popular culture, linguistics, art, religion, and history.
Dialogues between Art and Business
As Strauß shows in this insightful monograph, situating art and the business organisation sphere, commonly assumed to be antagonistic, within the discourses of new knowledge creation and learning holds the potential of exploring new ways of relating the two spheres.
This volume inquires into the mysteries of the psyche of the Symbolist Movement through essays on works of art, literature and music created as part or extension of the Symbolist Movement.
This book chronicles over one hundred years of international film making in Jamaica from 1910, and provides many previously unpublished details of locations, actors and directors.
Why are contemporary playwrights obsessed with rewriting Shakespeare? Across the world, new writers have questioned the political and cultural stakes of repeating his classics. This collection asks: do modern rewritings supplant Shakespeare, or does his survival depend on them?
Transcultural Screenwriting
This text offers an innovative approach to the study of screenwriting as a creative process by integrating the fields of film and TV production studies, screenwriting studies, narrative studies, rhetorics, transnational cinema studies, and intercultural communication studies.
Sacramental Theology and the Decoration of Baptismal Fonts
Altvater looks at three areas of concern around baptism as a sacrament—incarnation, initiation, and baptism within the Church—and the images that embody that religious discussion. She argues baptismal fonts were necessary to the liturgical life of the medieval Christian.
Ebewo’s text represents a compendium of discourses on black African drama, theatre and performance in Botswana, Lesotho, South Africa, and Swaziland. The topics covered include ritual practices, interventionist approaches to drama, and the funeral rites of Nelson Mandela.
Emblems and Impact Volume I
The study of emblems allows this two-volume work to look back at the collaborative endeavours of creative minds of earlier times. It argues that while the world seeks to come to terms with globalization, emblems allow reflection on strongly shared cultural values and connections.
Emblems and Impact Volume II
The study of emblems allows this two-volume work to look back at the collaborative endeavours of creative minds of earlier times. It argues that while the world seeks to come to terms with globalization, emblems allow reflection on strongly shared cultural values and connections.
Forgotten British Film
Gillett exhumes some of the films released in Britain over the last 70 years, including Daybreak (1948), and he probes the reasons for their neglect. He considers the contributions of those involved in the films and examines such issues as the response of critics and audiences.
Medieval Urban Planning
This collection examines whether multifaceted urban planning took place in the Middle Ages, and its manifestation itself outside of the monastic realm. It expands our grasp of how authoritative figures saw the planning process and applied plans to structure a particular outcome.
Metanarrative Functions of Film Genre in Kenneth Branagh’s Shakespeare Films
Maerz demonstrates Kenneth Branagh’s appeal to classical film genres in order to meta-narrate for a popular audience the unfamiliar terrain of the Shakespearean original. She examines the debts Branagh owes, stylistically and structurally, to classically-defined generic modes.
This volume probes the intersections between anthropology and film festival studies. It provides a historical reconstruction of most of the main festivals exhibiting ethnographic film, considering the parallel global evolution of programming and organisational practices.
Niestorowicz discusses the creative capabilities of people with simultaneous impairment of sight and hearing. She presents a study of the act of creation performed by deafblind people, which makes it possible to propose a vision of reality as conveyed through their sculptures.