Etching Our Own Image
A celebration of Arab American art and identity. In the wake of 9/11, a movement of artists galvanized to define themselves, rather than be defined by others. By telling their own stories, these voices reclaim their image and tell the world who they are.
Performing Adaptations
This collection of essays and interviews assesses adaptation from the under-explored perspective of live performance. Gutsy scholars and artists demonstrate how adaptation can test and speak back to dominant models of creation, production, and analysis.
Comics and Power
Comics and Power presents new methods for studying the complex relationship between comics and power. Its 14 chapters discuss how comics interact with and challenge existing power structures, shaping our understanding of art, identity, and community.
Visible Exports / Imports
New perspectives on medieval and renaissance art and culture. Essays explore 14th and 15th century European art production, from workshop practice and patronage to the circulation of styles and ideas.
On the Verge of Tears
Why do stories bring us to tears? This multi-vocal collection of essays offers personal, cultural, and political ruminations on why art, music, and film make us weep, inviting us to imagine tears as a language we can all, in some manner, understand.
Kam Women Artisans of China
Deep in southwestern China, in a village called Dimen, live several women who are masters of many cultural arts. Lee’s study presents an opportunity to learn from the past long lost in Western tradition and experience ancient culture transforming under the pressure of technology.
Pasolini, Fassbinder and Europe
This collection of essays compares the legacy of Pier Paolo Pasolini and Rainer Werner Fassbinder, two of Europe’s last radical filmmakers. Their uncompromising films oscillate between utopia and nihilism, inviting us to reconsider lost questions.
Design and Cinema
Design and Cinema: Form Follows Film explores the patterns of experience created by the brotherhood of these disciplines. The book is organized in two parts: Discourse, a look at formal categories, and Works, which presents films and workshop examples.
Italian Architects and Builders in the Ottoman Empire and Modern Turkey
This collection covers a complex cultural and political geography spanning from the Danubian principalities to Anatolia and the Aegean region. It explores a rich transcultural field of encounters and interactions, analysed on the basis of hitherto uncovered archival materials.
This book reflects current discussions of the ways collaboration and participation inform the production, study, and teaching of art with innovative and unexpected results. It illustrates how the shifting boundaries of power, position, and identity result in new relationships.
In the first book to offer a comprehensive synthesis of the known Pleistocene palaeoart of six continents, Bednarik contemplates the origins of art in a balanced manner, based on reality rather than fantasies about cultural primacy.
In/Fidelity
This volume explores the controversial value of fidelity in cinematic adaptation. Moving beyond simple for/against debates, these essays suggest a continuum of critical perspectives, arguing that both adaptations and criticism operate on a spectrum of faithfulness.
South American Cinematic Culture
This study of South American cinema offers a new approach, revealing the interconnectivity between state, altruistic, and commercial film organizations. It produces a rich overview of a key non-Western filmmaking site, tracing how films circulate nationally and globally.
An Introvert in an Extrovert World
This anthology explores the challenges faced by introverts in an extrovert world. While often labeled “quiet,” their contributions are immense, from Van Gogh’s art to the personal computer. The book contains analyses of culture, film, and poignant personal narratives.
A collection of essays by scholars and artists exploring theatre’s role in political awareness through the voice of the marginalized. It shows how the theatre of differences denounces prejudice and regains its role as the brain and lungs of the community.
While Marcel Duchamp judged eroticism a vital dynamic in his creation, his work has never been viewed through that spy hole. Researchers from all over the world now “lift the veil” on DADA, Surrealism, and more. The eye, designed to admire, can never really open wide enough.
Just Images
This collection of essays explores the role ethics plays in the study of moving images. Scholars discuss how film engages with history, politics, trauma, and representations of the Other to reshape our thoughts on subjects like terrorism and conflict.
Cinematic Narration and its Psychological Impact
Using cognitive psychology, this book explores how cinematic narration impacts the spectator’s mind. It considers storytelling, conflict, suspense, and genre to outline a model for analysing how cinematic devices influence a viewer’s cognition, imagination, and emotion.
Hunting the Collectors
This volume investigates Pacific collections in Australian museums and the diverse 19th- and 20th-century collectors responsible. Essays reveal the motivations that led to the preservation of a remarkable archive of Pacific Island art, objects, and documents.
Alternatives within the Mainstream II
This introduction to queer sexualities on the post-war British stage charts a history from a climate of sexual repressiveness and criminalisation to a period of legal acceptance, covering gay, lesbian, trans and queer British theatres.
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