These essays engage with the connection between aesthetics and radical politics. Moving beyond Marxist approaches, they explore culture from other radical positions—anarchist, autonomist, and ecological—revealing an exhilarating break with earlier cultural critique.
The Glory of the Garden
The Glory of the Garden examines regional theatre, a constant source of anxiety and pride. It moves the debate beyond the cliché of crisis to examine the politics and policy of making performance outside London, combining essays with case studies.
Pearce delivers sensible emergent aesthetics, explaining the processes that happen in human minds when we share ideas as works of art. He considers how this skews the orthodoxies of contemporary art with pragmatic wisdom about why representational art thrives in the 21st-century.
Touching Art
This study follows the Tree of Life, a Mozambican sculpture made from decommissioned weapons. It explores how its meaning changed when exhibited in its original context versus the British Museum, challenging curatorial concepts of African art.
Postcolonial Artist
Irish Travellers have had little input into how they are represented. This book redresses this imbalance, exploring the Traveller experience through the musical oeuvre of artist Johnny Doran to outline the importance of cultural hybridity in postcolonial Ireland.
This collection of film profiles explores the relevance of twentieth-century films to literature and culture. The films are viewed as moves in mind, trading the look of things brought to presence by the shocking directness of eyesight.
Most of the previous scholarship on Apulian red-figure pottery has focused on the cataloguing of collections and stylistic matters. Herring takes a different approach by identifying patterns in the decoration of Apulian vases that cast light on the choices made by vase-producers.
Botanical Speculations
This conference proceedings brings together researchers, artists, art historians, and activists to collaboratively map the uncharted territories of new forms of botanical knowledge, and to capitalize on contemporary art’s ability to productively unhinge scientific theories.
Depictions of the Three Orders and Estates around the Year 1500
This volume highlights the copious depictions of society’s three orders—the oratores, bellatores, and laboratores—in the Late Middle Ages and Early Modern Period. The vast visual material proves this trifunctional division was a widespread ideological foundation.
Art as “Night”
Art as “Night” proposes a type of dark, a-historical knowledge crossing painting from Velázquez to Richter and Kiefer. It argues for a non-discursive form of intellection embodied in the work of art—a pure visual and moral agency lost since the Baroque era.
Awakening through Literature and Film
This book, using Zen Buddhism and postmodern ethics, guides you beyond the conventional thematic approach. Learn to catch nondual, spiritual feelings while appreciating a given work, ultimately turning the act of reading or watching into a quest for spiritual enlightenment.
The dance floor is the stage of life. This book explores how dance reflects the maps of meaning that structure our lives, from religious to artistic forms, examining performers from Fred Astaire to Michael Jackson and choreographers like Balanchine and Fosse.
Redwood undertakes a close formal analysis of Tarkovsky’s later films. Charting the stylistic and narrative innovations in Mirror, Stalker, Nostalghia and The Sacrifice, he succeeds in shedding new light on these celebrated, but often misunderstood, masterpieces.
This book explores the spirit of Mesoamerican civilization from pre-history to the 20th century, interpreting its architectural legacy—from symbolic public plazas to the eloquent mural paintings that served as a powerful medium for cultural interaction.
This essay collection analyzes recurring images of dismemberment on the western stage, from Classical Tragedy to contemporary drama. Contributors ask what a dismembered body means, revealing how drama’s dismemberment as a form challenges representation itself.
This collection of philosophical essays analyses the Italian artist Ugo Nespolo’s poetics from different theoretical perspectives, focused in particular on his artworks and films.
We Are What We Remember
Commemoration doesn’t just capture history—it creates new narratives that reflect our current values. As our views on race, gender, and class change, so do our commemorations. How do we repair the damage of the past and name forgotten histories?
In Germany, privately run boulevard comedy theatres attract larger audiences than state theatres. This book analyzes this unique phenomenon, exploring everything from its specialized plays and actors to its artistic management, production, and reception.
Crash Cinema
Cinema does more than simply amuse or horrify; it communicates to us about ourselves. This book analyzes the politics of representation, asking whose ‘truth’ is being represented and why, and uncovering cinema’s power to shock, surprise, and explore the taboo.
Theatres of Thought
Theatre and philosophy both make things appear. These essays articulate the fact that they have never been truly apart, exploring theatre’s fascination with transforming thought into spectacle from wide-ranging perspectives and approaches.