This collection of essays traces the evolution of kitsch and camp aesthetics in popular culture and the avant-garde. From diverse theoretical perspectives, it provides a much-needed commentary on the function of these aesthetics today.
New technologies have transformed audiovisual storytelling, turning viewers into creators and participants. Featuring texts by leading media scholars, this book offers analyses of these expanding practices, from mobile media and gaming to interactive documentaries.
An essential dimension of the Cold War took place in the realm of ideas and culture. As such, this volume discusses the impact of the conflict on entertainment television, offering comparative aspect by studying programs from both Eastern and Western blocs.
For the first time, this book demonstrates the extraordinary contribution of Australian glass artist David Wright. Including the first catalogue raisonné on the artist, it examines the stunning art glass he created for Australia’s sacred and public spaces.
The PCI Artists
This book examines the Italian Communist Party’s artistic policies (1944–1951), providing a framework for wider reflections on art and politics. At a time when the world was divided, Italian artists became protagonists of a project to synthesize antagonistic cultural blocs.
CoMa 2013
This book offers a wide variety of subjects on preserving image collections. It covers theoretical questions of value, collection management, scientific research, and digitization, providing a base for anyone dealing with photographs to ensure their long-term preservation.
China in the Frame
This ethnographic study of Chinese art displays in Italy highlights how representing the cultural Other becomes a process of self-expression. It shows how in representing China, Italy is induced to question and represent its own cultural identity.
This monograph is a study of the literature, paintings, icons and other aspects related to the Image of Edessa, an image of Christ, which, according to tradition, was of miraculous origin, examining how it was used as a tool to express Christ’s humanity.
Beyond the Skin
“We are our bodies, we have our bodies, we make our bodies.” In a world of multiplying screens that transforms us into spectators, how do we find our identity? This book explores the boundary between bodies and technology to reclaim the social.
This is the first monograph on Rembrandt’s Passion Series, the most prestigious commission of his early career. It traces the history of these overlooked paintings, highlights the self-images within them, and proves why they are finally a true “series”.
This monograph shows how Neapolitan theatre managed to not only survive, but thrive in an era that saw the disappearance of a number of regional theatre traditions in Italy, with Neapolitan playwrights forcefully proclaiming their roots as a primary source for their work.
Broadcasting in the UK and US in the 1950s
The essays here contribute to research on the medium of television by bringing together work focusing on national developments in both UK and US broadcasting in the 1950s, to allow for reflection on the ways in which the two systems interacted and can be compared.
The Representations of Elderly People in the Scenes of Jesus’ Childhood in Tuscan Paintings, 14th-16th Centuries
Adopting an innovative approach, this book leads the reader through early modern Tuscan paintings to discover a new vision of intergenerational relationships. It reveals how old age was perceived at the end of the Middle Ages and the beginning of the Renaissance in Tuscany.
Make Me Yours
Offering a subjective approach, González discusses the relational and psychodynamic aspects of the encounter between the work of the art and the viewer; one that, when seduction operates, is characterised by interplay, flow and conflict.
Voicing the Text
By using both drama and film, and by exploring the translation between the two, this study shows that voice can be placed in a grid where the subject, body, language and power interconnect in ways that question established ideas concerning voice – what it is and what it can do.
Of Treason, God and Testicles
This monograph analyses in what shape the interplay between widespread political and ideological Cold War convictions and Cold War notions of masculinity found its way onto British and American cinema screens during the early days of the conflict.
This cross-disciplinary collection explores how identities – individual, communal, and national – are constructed, maintained and contested. These essays emphasize the invariable ambiguity and instability of identity, offering new perspectives on a concept in ceaseless change.
Serge Bokobza focuses on the distinguishing elements of Jewish characterisation in post-Shoah French films. Rejecting the practice of labelling a film “Jewish” due to the ethnicity of a director or writer, he explores the essential question of “Jewish identity” in French cinema.
The Event, the Subject, and the Artwork
This collection explores art’s power to mediate political events, creating temporal ruptures and heralding an indescribable future.
Flowers and Towers
This title explores the meaning and symbolism of the flower motif in the art of women artists, from the nineteenth century to the present day, discussing the changes, and the meaning thereof, in its representation during this period.