Lucky Strikes and a Three Martini Lunch
Twenty-six authors explore the Emmy-winning series Mad Men. In eighteen engaging essays, this collection delves into the show’s cultural impact, complex characters, and its interrogations of nostalgia, identity, gender, and mass communication.
The European Avant-Garde
This interdisciplinary collection of essays explores European Avant-Garde movements (1900-1940) in text and image. Covering movements like Futurism and Surrealism, it examines themes of the body, translation, identity, and exile.
This collection connects theatre and performance studies with public sphere theory. Essays from prominent scholars explore how performing in public shapes identity, class, and political agency across three centuries and in multiple global contexts.
Bad Pennies and Dead Presidents
This study analyzes the treatment of money in American plays from the Great Depression to the 21st century. Money emerges as an ambivalent force: a malevolent abstraction robbing us of reality, and a powerful metaphor for the American ideal of “self-making.”
Minority Theatre on the Global Stage
This volume explores contemporary theatre’s affinity with the margins. Essays examine how minority theatre challenges cultural consensus and gives universal resonance to conflicted identities, re-examining the status of theatre itself in a globalized world.
Out of the Ordinary
An imaginarium and cultural history, this book finds significance in the minutiae of everyday life. Derham Groves teaches the reader to find stories in overlooked objects, art, and architecture, revealing how unfettered creativity can emerge.
Round Heads
The Central Sahara is the world’s greatest “museum” of rock art, but its thousands of prehistoric images have been described and classified, not interpreted. Using interdisciplinary studies, this book proposes new ways to research the art and the societies that created it.
Winckelmann’s “Philosophy of Art”
This work examines Johann Joachim Winckelmann’s pivotal role as a judge of classical sculpture and founder of German art criticism. It explores his philosophy of beauty while revealing how his judgements were often propagandist rather than analytical.
This unique collection of essays explores the relationships between power and culture in sub-Saharan Africa through its French-language literature and cinema. Its deft analyses move beyond the rhetoric of crisis to present a critical reflection linked to global culture.
Transgressing Women
Transgressing Women focuses on the ‘other’ female characters of the noir world, beyond the femme fatale. The book traces these transgressive figures in contemporary novels and films, analyzing their dramatic evolution through feminist and postmodernist theory.
Cinema is a bastard art, innovative through adulterous relationships and a blurred lineage. This book aims to rehabilitate the shadowy corners of cinematographic creation, providing a new way of using notions like reference, blending, and hybridity.
The Sacred Town of Sankhu
This book presents a detailed view of Newar society and culture in the town of Sankhu, Nepal. Founded by the goddess Vajrayoginī, the town is a center for exploring the interplay of Hinduism and Buddhism, castes, and socio-religious life.
The Future of Text and Image
This volume explores the evolving relationship between text and image in literature. Scholars examine this dynamic across diverse forms—from novels and poetry to collage books and digital poetry—reflecting the significance of the visual in today’s image culture.
Against and Beyond
How do film, music, and media subvert the status quo? This essay collection applies critical theory to explore transgression in popular culture, offering essential reading for all who dare to go against and beyond.
Gothic Legacies
Gothic art and architecture were reinterpreted in diverse ways from the sixteenth century onwards. These essays explore what “Gothic” meant across different periods and cultures, and how it was used to shape personal, national, and international identities.
Challenging the perception of collecting as a male activity, this volume shows how women from the 16th to 19th centuries built important collections. They used them to make powerful statements about their lineage, cultural heritage, and power.
In an age of media convergence, many have proclaimed the death of cinema. But as moving images enter art galleries, the internet, and our daily lives, what happens to film? This volume explores not the disappearance of cinema, but its blooming post-media life.
The public does not desire horror, yet enjoys it in art. In the monstrous marriage of the abject and the sublime, this thrill transforms the spectator into voyeur or victim. Representing horror means rendering it enjoyable—a game of limits that are no longer limits.
In 19th-century France, painting asserted its independence from literature as art’s influence on authors grew. This investigation reveals their complex relationship through case studies of David, Hugo, Van Gogh, and Balzac, shedding new light on both fields.
A World of Popular Entertainments
The first of its kind, this groundbreaking collection examines popular entertainments from a global and multi-disciplinary perspective, considering their social, cultural, and political significance across five continents.