Practices of Abstract Art
Given the renewed interest in the phenomenon of abstract art, this collection of essays investigates the ambivalent role that abstraction has played in the visual arts and cultures of the last hundred years, engaging it in its increasingly diverse cultural environment.
Views on Eighteenth Century Culture
Using the Portuguese architect and city planner Eugénio dos Santos as a reference point, contributions to this text provide insights into the Enlightenment in Portugal and its relationships with other European cultural movements in fields such as philosophy and literature.
Encompassing papers from the 2014 Lisbon Conference on Philosophy and Film, this compilation discusses new aspects and approaches of how philosophy relates to film. It explores film’s nature philosophically and provides new insights for the film philosopher and the filmmaker.
This volume probes the intersections between anthropology and film festival studies. It provides a historical reconstruction of most of the main festivals exhibiting ethnographic film, considering the parallel global evolution of programming and organisational practices.
Deriving from the 6th Conference on Consciousness, Theatre, Literature and the Arts, this collection presents material from the fields of philosophy, literature and theatre. It will interest researchers of literature, theatre and the arts from a consciousness studies perspective.
Mediating Peace
This edited collection examines the role of art, music and film in peace-building and reconciliation in a range of conflict situations. The contributors are composed of prominent scholars and artists, and examine theoretical, professional and practical concerns.
English, Colonial, Modern and Maori
How do works enter a public art collection? Who decides what hangs on the walls? This cultural biography of Christchurch’s Robert McDougall Art Gallery explores 70 years of collection, controversy, and the influential personalities who shaped a nation’s art.
Picturing Evolution and Extinction
Fears of extinction stretch back to Darwin. This book explores the interplay of degeneration and regeneration in modern visual cultures from 1860-1930, showing how art betrayed anxieties over decline alongside latent hopes of renewal.
Tracing their Tracks
Artefacts from Medieval Scandinavia show principles of visual perception used by artists a thousand years earlier than was recognised. This book considers Old Norse culture to understand the development of visual communication, an aspect lacking in literature—until now!
This text highlights Robert Lepage’s preoccupation with an ongoing dialogue with worldwide audiences, and their involvement in developing an innovative practice of the Western theatre landscape. It examines the notion that intermediality is situated at the core of his approach.
This collection leans on the fact that, even in the Cold War era, television could become a cross-border matter. It combines transnational perspectives on convergence zones, observations, collaborations, circulations and interdependencies between Eastern and Western television.
This title explores the various ways in which artists, patrons, and art historians throughout history have broken bad by defying authority, challenging convention, or rejecting the norm. The articles here span from the art of ancient Etruria to the twentieth century.
On Ibsen and Strindberg
This unique study views Ibsen and Strindberg through a reversed telescope. From this distant perspective, their intense rivalry and the legendary actors who first performed their work are revealed in a paradoxical, illuminating new light.
This academic study analyzes suspense in Stephen King’s novels The Shining and Carrie and their film adaptations. It compares techniques for achieving suspense in literature versus cinema and provides a model that can be used for analyzing other literary or cinematic works.
Dao Entrepreneurship
Thornquist presents an artistic and aesthetic perspective on auteur-driven entrepreneurial management that is overlooked in traditional organizational analysis. He builds on this through an exploration of Bergsonian ontology and Daoism methodology.
In 1945, the Catholic Stage Guild of Ireland united the Irish Church and its most famous performers. This unprecedented study reveals the Guild’s surprising influence over Irish theatre at home and abroad—a fascinating story, untold until now.
Pavlou offers a significant and original contribution to studies on D. W. Griffith and film, through a systematic analysis of the director’s chase scenes, which create suspense and resolution in his films.
Paravano investigates the issue of multilingualism in the Caroline age through the lens of Richard Brome’s theatre. She analyses Brome’s multilingual representation of early modern London between 1625 and 1642, a multilingual and cosmopolitan city.
Combs focuses on “cinematic knowing” as an expression of ludenic experience, and considers how this way of seeing has expanded our visual acuity and experience, including not only hindsight and foresight, but also insight and indeed even “blindsight”.
Following Forms, Following Functions
The contributions here are devoted to the analysis of the relationship between form and function, two concepts that have played, and continue to play, an important role in several disciplines, from philosophical reflection to theoretical biology.