Merry Murderers
This book explores the femme fatale in American culture through Maurine Dallas Watkins’s story, Chicago. It argues that Chicago’s revivals produce a unique figure: the farcical femme fatale, who combines tragedy with comedy to get away with her crimes.
Recollecting History beyond Borders
This book unearths the forgotten histories of Moroccan captives, acrobats, and dancers in America. Drawing on neglected archives, it explores their transatlantic journeys and cultural encounters, adding a new dimension to Moroccan-American history.
Postcolonial Artist
Irish Travellers have had little input into how they are represented. This book redresses this imbalance, exploring the Traveller experience through the musical oeuvre of artist Johnny Doran to outline the importance of cultural hybridity in postcolonial Ireland.
Crash Cinema
Cinema does more than simply amuse or horrify; it communicates to us about ourselves. This book analyzes the politics of representation, asking whose ‘truth’ is being represented and why, and uncovering cinema’s power to shock, surprise, and explore the taboo.
Adaptations
This book explores the journey of written text to the screen, focusing on cinematic adaptations of Indian and international literary works. It engages with issues like ‘fidelity’ and ‘intertextuality’ in the works of Tagore, Satyajit Ray, and others.
Bringing Literature and Linguistics into EFL Classrooms
This book bridges the gap between linguistics, literature, and English language teaching. Drawing on educators’ experiences from around the world, it balances research with practical applications on how to use literary texts and linguistic theories in the classroom.
The Gentleman, the Virtuoso, the Inquirer
Explore the world of Vincencio Juan de Lastanosa, a scientific collector in early modern Spain. His cabinet of curiosities, garden, and library reveal a ‘virtuoso’ immersed in the wonders of nature, furthering the ideal of factuality in the Scientific Revolution.
From Self to Shelf
From Self to Shelf is a rich exploration of the interplay between biographical and aesthetic selves, from the Romantic poets to leading contemporaries. This absorbing volume is as engaging and thought-provoking as the masterpieces it illuminates.
Last Tape on Stage in Translation
This study examines translated theatre texts as blueprints for production, focusing on Samuel Beckett’s Krapp’s Last Tape. By looking into the Turkish translations and productions of the play, this book brings a new dimension to approaching theatre through translation.
Investigating Format
Hughes discusses the transferral of a televised format from its original country to a different cultural and linguistic ambit. Focusing on the formal police interview, she shows that international format transferral is becoming increasingly local to the country of arrival.
This critical and historical anthology looks at 1968, bringing together scholars, critics, and media-makers. Their work engages the period’s international activism through close readings of cultural production, from mass media to avant-garde practices.
In Germany, privately run boulevard comedy theatres attract larger audiences than state theatres. This book analyzes this unique phenomenon, exploring everything from its specialized plays and actors to its artistic management, production, and reception.
This volume discusses pressing issues in contemporary artistic education and culture. It explores how artistic education preserves national traditions, contributes to international integration, and navigates the challenges of the 21st century.
This book explores fragments of tragedy in postmodern film. While postmodernism broke the continuous chain of tragedy from Ancient Greece, its aspects persist in films with themes of chaos, violence, paranoia, and alienation.
The public does not desire horror, yet enjoys it in art. In the monstrous marriage of the abject and the sublime, this thrill transforms the spectator into voyeur or victim. Representing horror means rendering it enjoyable—a game of limits that are no longer limits.
These essays analyse the influences that shaped fictional selves on the early modern English stage. Specialists discuss plays by Marlowe, Shakespeare, and Jonson, revealing the stage self as a site of rich historical and discursive forces beyond the theatre.
Bashir Ahmad rescued Indo-Persian miniature painting from the cusp of extinction. This book details his apprenticeship with its last masters, his modernization of the art, and its evolution through his students, including Shahzia Sikander. With color illustrations.
What is the relation between drama and its critics? Drama is itself a critical genre, showing up the problems of human existence. Plays critique society and themselves, while also spurring critique from the audiences and reviewers who are intrinsic to theatre.
We Speak a Different Tongue
This collection challenges the privileging of modernism, focusing instead on modernity. It foregrounds marginalised writers—from H.G. Wells to Djuna Barnes—who responded to the era’s tensions with innovations distinct from modernist experimentation.
Dao Entrepreneurship
Thornquist presents an artistic and aesthetic perspective on auteur-driven entrepreneurial management that is overlooked in traditional organizational analysis. He builds on this through an exploration of Bergsonian ontology and Daoism methodology.
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