Cinema and Intermediality
This book investigates what the “inter-” of “intermediality” entails in cinema. Essays explore how film positions itself “in-between” media and arts through analyses of directors like Hitchcock, Antonioni, Godard, and Varda.
Cinema and Intermediality (Second, Enlarged Edition)
This ground-breaking book explores the relationship between cinema and other arts. Through case studies of films by auteurs like Hitchcock, Antonioni, Godard, and Varda, it clarifies key ideas of intermediality and offers insightful analyses. Revised and enlarged edition.
Cinema and Its Representations
This book provides a rich, multifaceted approach to cinema. It presents a lucid account of twentieth century film criticism, contemporary sociocultural theories, and literary adaptation, essential for students of media and cultural studies.
Cinema and Politics
This volume presents varied approaches to the relation between cinema and politics, focusing on changing narratives and identities. It highlights filmmakers with ‘hybrid identities’ whose work goes beyond old limits toward the sensitivity of the New Europe.
Cinema, Television and History
Rethinking the relationship between cinema, television and history, this collection of essays explores how historical events are interpreted and adapted for the screen, as well as the work of the historian exploring the archive.
Evolution and I discusses and sheds light on human knowledge and evolution from a range of perspectives including morals and ethics, sex and gender, religion, artificial intelligence, and microorganisms, with often surprising conclusions illuminating who we are as humans.
Cinemas, Identities and Beyond examines how film represents and constructs identities, transcending national and temporal boundaries. This collection of essays challenges ideological paradigms and contributes to contemporary debates in film studies.
Cinematic Narration and its Psychological Impact
Using cognitive psychology, this book explores how cinematic narration impacts the spectator’s mind. It considers storytelling, conflict, suspense, and genre to outline a model for analysing how cinematic devices influence a viewer’s cognition, imagination, and emotion.
Challenging traditional film musicology, this book approaches the film score from practical to theoretical perspectives. Essays explore films from art-house to mainstream, and include interviews with influential composers Trevor Jones and Michael Nyman.
Discover realist painter Clark Hulings (1922-2011), an artist whose subject was work—daily life in ancient places grappling with modernity. This book highlights the beauty and empathy of his paintings and discusses the work ethic that took him to the summit of realist technique.
Close Relations
This book applies insights from the “spatial turn” to Greek and Roman theatre. It explores the complex interweaving of space-time, the relations between ancient theatrical space, and how it has been interpreted and transformed throughout history.
Collections reflect the passions of their owners, but how did people get to see them? This book investigates an understudied field: “access” to collections before public museums. The essays show there were diverse types of access that served a range of purposes.
For ruling houses, collecting was a political act driven by dynastic ambition. A family’s collection attested to the age and power of its lineage. This volume presents articles exploring this phenomenon from the Roman Republic to the eighteenth century.
This collection of essays highlights the enduring significance of provenance for historians, authentication, and law. It remains vital to ownership and topical due to ongoing debates over looted art and the illicit trade in antiquities conducted by terrorist groups.
Leading scholars explore the understudied history of collecting in the American South. This volume examines the rich Renaissance and Baroque art in Southern public and private collections, revealing how these works were acquired, curated, displayed, and preserved.
Collecting exotic objects has long united humanity. The essays in this volume connect these collections with their forms of display—from Chinese cabinets built in the West to Western-style palaces in China—charting encounters between cultures across millennia.
Connecting art, nature, and science, these essays trace the collection and display of objects from early wunderkammern to the 18th century. They reveal a world where art and nature were intrinsically linked, charting the path to their modern divisions.
This volume examines when, how and why cabinets of prints and drawings became a specialised part of princely and private collections. Among other things, it assesses how important collections were for the self-representation of a prince or connoisseur among specialists and peers.
Collective and Collaborative Drawing in Contemporary Practice
What happens when people draw together? While collaborative drawing is widely explored, there is little published research on the topic. This book establishes the field, covering conversations through drawing, collaborative processes, and drawing communities.
Colonial Self-Fashioning in British India, c. 1785-1845
De Silva considers the ways in which British residents in India represented their lives through visual material, and reveals that the position of the British population in the country in the 19th century was often more nuanced than often assumed.