Echo and Narcissus
While film studies has turned from spectator theory to audience research, this book argues for a productive nexus between them. It offers a revised model of the spectator through a re-reading of Ovid’s myth of Echo and Narcissus.
On stage, hunger becomes a powerful spectacle. This volume explores the paradox of the thinning body, revealing how staged starvation—material, spiritual, and emotional—has shaped powerfully transgressive dramaturgies throughout history.
Mnemodrama in Action
Mnemodrama, or a “drama of memory”, is a technique of actor training borne out of experiments conducted by the Italian theatre maker Alessandro Fersen in his studio laboratory in Rome between 1957 and 1983. This work is an introduction to its theory and practice.
Rock Art of the Qsur and ‘Amour Mountains, Algeria
Artists leave some of their bodies in their art. This book studies the embodied intentionality in the works of artists from Algeria’s Qsur and ‘Amour mountains, revealing the sensations and emotions they inscribed into immersive installations and intricate labyrinthine forms.
The contributions here are the product of papers presented at a conference, and cover a broad spectrum of subjects such as indigeneity, music, song and identity, politics, national reconciliation, education, product development and national development.
The Travellers depicted in this book were essential agents in their own depiction. Paul Harrison’s arresting photos show a “hidden Ireland” relegated to the societal margins. They haunt the viewer and interrogate what it means to be human.
This book provides an overview of the politics of urbanism for Syrian immigrants in Turkey. Based on a field survey, it analyses the cultural meaning of individual life, belonging, and nostalgic identity, providing a sociological and ontological reading of the image.