Documents on the Balkans – History, Memory, Identity
This book explores how Balkan films produce identities based on memory, often in response to the 1990s conflicts. Case studies connect the ‘private space’ of everyday lives to macro-debates, making this a powerful contribution to cultural and visual history.
Memory, Place and Autobiography
In autobiographical film, the filmmaker—as maker and subject—acts as a cultural guide. This book explores how memory is evoked through hybrid strategies like fictional enactment, and charts the history of British independent filmmaking from the 1970s to the age of new media.