Literature

This book examines the use of the artist as a veneer to criticise political ruling parties. Using previously unused primary sources, including interviews with three playwrights, it explores this key role over three decades with reference to artists from the Middle East.

In nineteenth-century France, staging was more than theatre. It was a process of appearing and disappearing that shaped how individuals were seen in the visual arts and culture. This book explores staging’s mechanisms, repercussions, and what it chose not to show.

The Baroque world was a flowing one, a realm of presences in constant flux. Everything was in endless motion—space, time, emotions, and the individual itself. This absence of solidity would define the era. This book charts the fluidity of the age, from geographies to souls.

This book moves beyond Derek Walcott’s Nobel Prize-winning poetry to reveal his fundamental contribution to Caribbean theatre and art. Examining key works as postcolonial re-writings of European stories, it uncovers the strategies Walcott used to respond to colonial power.