Spiritual and Corporeal Selves in India
This volume explores the union of the corporeal and the spiritual in contemporary India. It offers clues to the East-West encounter and tackles the dualism of mind and body, suggesting a rupture of binary thinking, unlike in Western theory.
Stage Migrants
This volume investigates how recent migration is reflected in Irish culture, focusing on the representation of outsiders in theatre. It explores debates on national identity, multiculturalism, and racism in plays whose topics are central to any global community.
Staging and the Arts in Nineteenth-Century France
In nineteenth-century France, staging was more than theatre. It was a process of appearing and disappearing that shaped how individuals were seen in the visual arts and culture. This book explores staging’s mechanisms, repercussions, and what it chose not to show.
Staging Ben
This edited volume offers a rebuttal of the mischaracterization of Ben Jonson’s plays as anti-theatrical. Featuring contributions from both Renaissance literature scholars and theatre practitioners, it demonstrates the playwright’s prodigious theatrical imagination.
Explore the Symbolist movement’s profound, interdisciplinary impact on 20th-century culture. These essays trace its evolution across Europe, highlighting the foundational role of French art and literature.
What is the relation between drama and its critics? Drama is itself a critical genre, showing up the problems of human existence. Plays critique society and themselves, while also spurring critique from the audiences and reviewers who are intrinsic to theatre.
Teaching Shakespeare in Film and the Arts Today
Explore past, present, and future approaches to Shakespeare on Film. This volume offers practical case-studies for teaching textual analysis through film and the arts—perfect for instructors to adapt or for any reader interested in the field to enjoy.
Text in Contemporary Theatre
This collection of articles is devoted to the relationship between text and performance in contemporary theatre. Focusing on the Baltics but with wider insight into world drama, this book is recommended for both theatre and drama theoreticians and practitioners.
The “I” and the “Eye”
Tracing the opposition between verbal and visual arts from Lessing to Greenberg, the author delineates it as a history of diffusions, displacements and idealist reparations of class division.
The numerous digressions in Pliny the Elder’s Naturalis Historia should not be regarded as mistakes. This book’s hypothesis is that these anecdotes are intentional. By analyzing them as exempla, their narrative role becomes clear, revealing Pliny’s contested skill as a writer.
The Apothecary’s Chest
This collection of essays explores the intertwined notions of magic, science, and superstition in figures like the apothecary, alchemist, and shaman. Topics range from the mystical traits of mundane materials to the origins of the occult and the modern poet.
This book examines the reception of visual arts across cultures and times. It focuses on the migration of images: how they travel from one medium to another, and how they migrate from an artefact into the human body, a process explored through various disciplines.
The Art of Women in Contemporary China
This book presents the work of over 75 Chinese female artists in visual art and poetry. Their work explores the experience of being a woman through themes of the body, home, fantasy, and social conscience. This unique volume pairs poetry with art, articulating shared concerns.
The Artist as a Dramatic Character
This book examines the use of the artist as a veneer to criticise political ruling parties. Using previously unused primary sources, including interviews with three playwrights, it explores this key role over three decades with reference to artists from the Middle East.
The Concept of Fluidity in the Baroque Age
The Baroque world was a flowing one, a realm of presences in constant flux. Everything was in endless motion—space, time, emotions, and the individual itself. This absence of solidity would define the era. This book charts the fluidity of the age, from geographies to souls.
The European Avant-Garde
This interdisciplinary collection of essays explores European Avant-Garde movements (1900-1940) in text and image. Covering movements like Futurism and Surrealism, it examines themes of the body, translation, identity, and exile.
The Event, the Subject, and the Artwork
This collection explores art’s power to mediate political events, creating temporal ruptures and heralding an indescribable future.
The Flâneur Abroad
This volume offers new perspectives on the flâneur, mapping the figure’s travels beyond Paris. It explores the flâneur in international cities and across visual media, revising stereotypes and reconsidering the nature of this cultural icon.
The Future of Text and Image
This volume explores the evolving relationship between text and image in literature. Scholars examine this dynamic across diverse forms—from novels and poetry to collage books and digital poetry—reflecting the significance of the visual in today’s image culture.
The Idea of the City
An important and timely work with depth and breadth. International scholars explore the city in literature, history, and film from the medieval period to the present. With a truly global focus, this is a fascinating snapshot of literary urban studies.