Literature

This monograph presents, from the point of view of the early modern historian, the legacy of Baroque thought in modern and contemporary literature. It highlights the patterns of thought that our time owes to the age of Baroque, namely both temporal and spatial plurality.

John Guare’s aesthetic principle: a play must be grounded in reality; only then can it soar. This study explores his dramas, which soar by interrupting action, mixing genres, and taking hairpin turns to explore the American heritage and Dream.

This book is a response to changing representations of Irish identity during the ‘Celtic Tiger’ (1990-2005). Through literature and film, it interrogates widespread social change—from prosperity to multiculturalism—arguing that Irish identity changed radically.

The contributors to this collection highlight the current process of transforming well-known fairy-tale plots, considering recent media productions as modern fairy-tales, and showing these new versions to reflect the psychological demands of contemporary cultural environment.

This book tracks the creative process of Heinz-Uwe Haus’s adaptation of Goethe’s Faust and his question of how Goethe’s Faust is relevant today. It unites comments from stage and costume designers as they bring their own understanding of the audience to bear on the play.

By using both drama and film, and by exploring the translation between the two, this study shows that voice can be placed in a grid where the subject, body, language and power interconnect in ways that question established ideas concerning voice – what it is and what it can do.

Liberature refers to works that integrate text and the material book into an organic whole. This volume collects essays exploring this concept as a literary genre, completed with the seminal writings of its founder, Zenon Fajfer.