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Against and Beyond
Subversion and Transgression in Mass Media, Popular Culture and Performance
How do film, music, and media subvert the status quo? This essay collection applies critical theory to explore transgression in popular culture, offering essential reading for all who dare to go against and beyond.
How do film, music, and media subvert the status quo? This essay collection applies critical theory to explore transgression in popular culture, offering essential reading for all who dare to go against and beyond.
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Ancient Dramatic Chorus through the Eyes of a Modern Choreographer
Zouzou Nikoloudi
Savrami analyses the work of the Greek choreographer Zouzou Nikoloudi, and provides answers to key questions about her work in relation to ancient Greek views of tragedy and the ways those views have been reinterpreted in contemporary dance practice.
Savrami analyses the work of the Greek choreographer Zouzou Nikoloudi, and provides answers to key questions about her work in relation to ancient Greek views of tragedy and the ways those views have been reinterpreted in contemporary dance practice.
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Contemporary Southeast Asian Performance
Transnational Perspectives
This volume offers vital insights into recent developments in Southeast Asian performance. Global communications have inspired novel collaborations, with contemporary artists increasingly working beyond the traditional boundaries of nation and discourses of identity.
This volume offers vital insights into recent developments in Southeast Asian performance. Global communications have inspired novel collaborations, with contemporary artists increasingly working beyond the traditional boundaries of nation and discourses of identity.
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Performance Trends in Postliberation Zimbabwe
Practices, Projections and Trajectories
This collection theorises the dynamic ways Zimbabwean and African artists perform. It examines an interactive movement that fuses performer and spectator, while challenging the dominant Anglocentrism in critical performance pedagogies.
This collection theorises the dynamic ways Zimbabwean and African artists perform. It examines an interactive movement that fuses performer and spectator, while challenging the dominant Anglocentrism in critical performance pedagogies.
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This product has multiple variants. The options may be chosen on the product page