Denham brings together the work of Helen Kemp Frye, an accomplished artist and musician, and the wife of literary critic Northrop Frye. The book contains her reflections on art, giving voice to a creative being whose contributions to cultural life in Ontario are often neglected.
Encompassing papers from the 2014 Lisbon Conference on Philosophy and Film, this compilation discusses new aspects and approaches of how philosophy relates to film. It explores film’s nature philosophically and provides new insights for the film philosopher and the filmmaker.
Pearce delivers sensible emergent aesthetics, explaining the processes that happen in human minds when we share ideas as works of art. He considers how this skews the orthodoxies of contemporary art with pragmatic wisdom about why representational art thrives in the 21st-century.
Niestorowicz discusses the creative capabilities of people with simultaneous impairment of sight and hearing. She presents a study of the act of creation performed by deafblind people, which makes it possible to propose a vision of reality as conveyed through their sculptures.
This volume probes the intersections between anthropology and film festival studies. It provides a historical reconstruction of most of the main festivals exhibiting ethnographic film, considering the parallel global evolution of programming and organisational practices.
Metanarrative Functions of Film Genre in Kenneth Branagh’s Shakespeare Films
Maerz demonstrates Kenneth Branagh’s appeal to classical film genres in order to meta-narrate for a popular audience the unfamiliar terrain of the Shakespearean original. She examines the debts Branagh owes, stylistically and structurally, to classically-defined generic modes.
Medieval Urban Planning
This collection examines whether multifaceted urban planning took place in the Middle Ages, and its manifestation itself outside of the monastic realm. It expands our grasp of how authoritative figures saw the planning process and applied plans to structure a particular outcome.
Forgotten British Film
Gillett exhumes some of the films released in Britain over the last 70 years, including Daybreak (1948), and he probes the reasons for their neglect. He considers the contributions of those involved in the films and examines such issues as the response of critics and audiences.
Emblems and Impact Volume II
The study of emblems allows this two-volume work to look back at the collaborative endeavours of creative minds of earlier times. It argues that while the world seeks to come to terms with globalization, emblems allow reflection on strongly shared cultural values and connections.
Emblems and Impact Volume I
The study of emblems allows this two-volume work to look back at the collaborative endeavours of creative minds of earlier times. It argues that while the world seeks to come to terms with globalization, emblems allow reflection on strongly shared cultural values and connections.
Ebewo’s text represents a compendium of discourses on black African drama, theatre and performance in Botswana, Lesotho, South Africa, and Swaziland. The topics covered include ritual practices, interventionist approaches to drama, and the funeral rites of Nelson Mandela.
Sacramental Theology and the Decoration of Baptismal Fonts
Altvater looks at three areas of concern around baptism as a sacrament—incarnation, initiation, and baptism within the Church—and the images that embody that religious discussion. She argues baptismal fonts were necessary to the liturgical life of the medieval Christian.
Transcultural Screenwriting
This text offers an innovative approach to the study of screenwriting as a creative process by integrating the fields of film and TV production studies, screenwriting studies, narrative studies, rhetorics, transnational cinema studies, and intercultural communication studies.
Why are contemporary playwrights obsessed with rewriting Shakespeare? Across the world, new writers have questioned the political and cultural stakes of repeating his classics. This collection asks: do modern rewritings supplant Shakespeare, or does his survival depend on them?
This book chronicles over one hundred years of international film making in Jamaica from 1910, and provides many previously unpublished details of locations, actors and directors.
This volume inquires into the mysteries of the psyche of the Symbolist Movement through essays on works of art, literature and music created as part or extension of the Symbolist Movement.
Dialogues between Art and Business
As Strauß shows in this insightful monograph, situating art and the business organisation sphere, commonly assumed to be antagonistic, within the discourses of new knowledge creation and learning holds the potential of exploring new ways of relating the two spheres.
This anthology is an intellectual smorgasbord of medieval and renaissance thought. Designed not solely for scholars but also for generalists, these essays explore philosophy, poetry, drama, popular culture, linguistics, art, religion, and history.
Kaaber investigates the exact age of the eponymous prince in Shakespeare’s play, a topic which has been subject to frequent debates. As he shows, Henry Wriothesley, the third Earl of Southampton, once indisputably Shakespeare’s patron, is likely the inspiration for the character.
Symbols and Models in the Mediterranean
This anthology spans a vast chronology and territory, ranging from Old Kingdom Egypt to modern-day Slovenia. Each essay serves as a micro-study that demonstrates the many ways in which Mediterranean communities have co-opted, appropriated, and adapted symbols from one another.
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