The European Avant-Garde
This interdisciplinary collection of essays explores European Avant-Garde movements (1900-1940) in text and image. Covering movements like Futurism and Surrealism, it examines themes of the body, translation, identity, and exile.
The Event, the Subject, and the Artwork
This collection explores art’s power to mediate political events, creating temporal ruptures and heralding an indescribable future.
This book is the first complete research on opera theatres across the Middle East and North Africa. Examining many previously undocumented institutions, this work provides scholars and practitioners with the first reference on their evolutionary process.
The Eye and the Beholder
Hannelore Hägele examines the colouring of the eye in late medieval and early modern sculpture. She asks how optics, science, and theology determined how eyes were perceived and represented, arguing it is the beholder who judges the worth of any creative effort.
This engaging and extensively researched book details Eva Green’s film career from 2001 to the present. With critical commentary and biographical context, it covers her roles, the making of her films, and their reception.
The Flâneur Abroad
This volume offers new perspectives on the flâneur, mapping the figure’s travels beyond Paris. It explores the flâneur in international cities and across visual media, revising stereotypes and reconsidering the nature of this cultural icon.
The Fluid Frame in Cinema
A passionate rendezvous with cinema. These essays offer a close reading of film that looks beyond the frame to its cultural and historical roots, reappraising Indian cinema, classic adaptations, and directors like Hitchcock and Kubrick through a contemporary critical gaze.
In 1945, the Catholic Stage Guild of Ireland united the Irish Church and its most famous performers. This unprecedented study reveals the Guild’s surprising influence over Irish theatre at home and abroad—a fascinating story, untold until now.
The Future is Now
This collection of essays from new voices in African Diaspora Studies explores art, literature, film, and music across the Americas and Europe. Scholars interrogate themes of memory, power, and identity to uncover forgotten episodes of history.
Representing the proceedings of the inaugural conference of the University of Arizona Center for American Culture and Ideas, these contributions explore the relationship between the high arts and culture in America, considering a range of subjects from dance to philosophy.
The popular view that “everyone can be creative” is a fashionable nonsense. But so was the old idea that creativity is only for a select few. This book shows an alternative way to understand creative thinking that will change how we see imagination and innovation.
The Future of Text and Image
This volume explores the evolving relationship between text and image in literature. Scholars examine this dynamic across diverse forms—from novels and poetry to collage books and digital poetry—reflecting the significance of the visual in today’s image culture.
The Future of the Creative Industries
The creative industries are crucial to the future of culture and national wealth. This collection of papers from researchers and industrialists explores the role of design, covering applied art, fashion and textiles, the built environment, and spatial design.
This volume explores the gendered subaltern’s struggle against multiple levels of marginalization. Through theatrical interventions, it underscores how the body becomes a site of identity, oppression and resistance, and interrogates notions of family, society and identity.
The Gentleman, the Virtuoso, the Inquirer
Explore the world of Vincencio Juan de Lastanosa, a scientific collector in early modern Spain. His cabinet of curiosities, garden, and library reveal a ‘virtuoso’ immersed in the wonders of nature, furthering the ideal of factuality in the Scientific Revolution.
The Gladiators vs. Spartacus, Volume 1
Using unpublished sources, this book documents the intense rivalry between movie productions of The Gladiators and Spartacus. This little-known chapter of Hollywood’s blacklist history was key to Dalton Trumbo’s successful effort to win screen credit.
The Gladiators vs. Spartacus, Volume 2
From blacklisted director Abraham Polonsky, this is the unproduced screenplay for The Gladiators. He transformed Arthur Koestler’s complex novel of an ancient slave rebellion into a script worthy of its bold vision, but due to bad timing, it never went before the cameras.
The Global and Local Appeal of Kneehigh Theatre Company
This book explores “Brand Kneehigh,” defining how the theatre company’s Cornish identity achieved global appeal. Analyzing key productions, it reveals the tensions between local and global interests and investigates Kneehigh’s unique solution: their performance space, the Asylum.
The Glory of the Garden
The Glory of the Garden examines regional theatre, a constant source of anxiety and pride. It moves the debate beyond the cliché of crisis to examine the politics and policy of making performance outside London, combining essays with case studies.
This book reviews art throughout the ages to find the origin of religion in the relationship between art and ritual. A psychoanalytic perspective identifies the creative process as the prototype for the concept of death and resurrection that underpins religious belief.