This book argues that the theater of Stoppard, Hwang, Churchill, Shepard, Walcott, and Karnad induces spectators to deconstruct habitual perception and taste a void of conceptions, pointing through performance toward a trans-verbal, trans-cultural wholeness.
In Germany, privately run boulevard comedy theatres attract larger audiences than state theatres. This book analyzes this unique phenomenon, exploring everything from its specialized plays and actors to its artistic management, production, and reception.
This accessible collection offers a fresh approach to photography and literature. Essays by acknowledged experts consider both key literary figures, from Proust to Sebald, and photographic practitioners to give a commanding, ground-breaking overview of the subject.