This pioneering book introduces the “feminine,” a dimension of film not reducible to women’s experience. Exploring this Jungian concept through movies spanning seven decades, it enhances the appreciation of film as a depth psychological medium.
This wide-ranging collection breaks new ground in feminist film theory, offering close analyses of films from Hitchcock to 21st-century horror. Praised as a “splendid contribution,” it lends readers ‘new eyes’. “Should be required reading for students and scholars.”
Lavinia Fontana’s Mythological Paintings
This volume investigates Lavinia Fontana’s mythological paintings. The first female painter of sixteenth-century Italy to depict female nudes and mythological subjects, Fontana challenged the male tradition of history painting and paved the way for future female artists.
HBO’s Girls
This collection is the first to discuss the cultural, political, and social implications of the innovative series Girls. Contributors examine the show through lenses of gender, sexuality, race, and relationships to explain its profound cultural impact.
Artists are collaborating with scientists and communities to encourage pro-environmental behavior. This book unites 28 contributors to examine the vital role of the arts in provoking change and making connections to ecology, science, and Indigenous culture.
Movies on Home Ground
This exploration of British amateur cinema (1930–1980) reveals a significant but under-explored film practice. It shows how this leisure activity assumed remarkable aesthetic forms, widening the recognised canon of British filmmaking in fascinating new directions.
What represents Melanesian art today? Who are the artists? Art and Life in Melanesia is a timely exploration of Melanesian artists and their voices, taking stock of what is happening in the region’s art through themes like Kastom, Christianity, and Globalisation.
Monsters of Film, Fiction, and Fable
Monsters have always represented what we fear in the Other. But today, they reveal what we fear in ourselves—what we’re capable of. These essays explore the monstrous in film, literature, and myth to understand not just who we are, but who we might become.
Lucky Strikes and a Three Martini Lunch
Twenty-six authors explore the Emmy-winning series Mad Men. In eighteen engaging essays, this collection delves into the show’s cultural impact, complex characters, and its interrogations of nostalgia, identity, gender, and mass communication.
This book collects Daniel Asia’s writings on classical music, universities, Judaism, politics, and American culture. Written in clear, elegant prose with a wry sense of humor, this is a fine introduction to high culture, with an emphasis on classical music and its composers.
Identity Mediations in Latin American Cinema and Beyond
This book explores how the flows of music, films, and artists shape cultural identities. It analyzes these transits, mainly in the Ibero-American space but also Soviet and Asian cinema, revealing cultural networks that extend beyond national borders.
Living as we do in a world marked by an ‘age apartheid’, films remain the most accessible form of information regarding getting older for the general public. Using current gerontological theory, this volume provides insight into the accuracy of cinematic representations of aging.
This book crosses world cultures to highlight women as creators and as subjects. From the politics of Aztec women’s bodies to female artists in the Global South, chapters offer historical, artistic, and literary perspectives on women in art, literature, and film across the globe.
Contemporary Dance and Southern African Rock Art
In Apartheid South Africa, the author started a mixed-race dance company in her garage. Weaving together research into rock art and transformative choreography, this book shows how dance can change attitudes, perceptions, and the human spirit. Includes a video link to the dance.
This book examines four innovative women playwrights of 21st-century Spain. By foregrounding female protagonists, their plays explore female autonomy and the search for selfhood against gendered oppression, showcasing important innovations in contemporary stagecraft.
Feminisms is Still Our Name
This anthology critically debates the current status of feminisms in visual art. Essays by leading scholars connect past art histories to possible feminist futures, initiating a needed debate on strategies for renewing feminisms in art history and curating.
Utopia and Neoliberalism in Latin American Cinema
This book reflects upon the crisis and recovery of utopia, from classic Greece to the neoliberal era in Latin America. Using decolonialist theory, it contributes a new model of analysis for Latin American cinema: “the allegory of the motionless traveler.”
Visualizing Rituals
The essays in this compilation examine the dynamic relationship between art and ritual. Drawing from art historical and theoretical discourses, these papers seek new ways of defining both, with topics ranging from Ancient Greek temples to the art of Kahinde Wiley.
Lee Miller’s Surrealist Eye
While popular interest in Lee Miller’s life and photography has grown, her true worth as a prominent Surrealist artist has been overlooked. This collection revalidates her position, not as a muse, but as one of the twentieth century’s most influential female Surrealist artists.
This collection of papers examines circus history, life, the relationship of circus to society, and its impact on the arts. “This fascinating collection showcases the cultural depth of the circus in historical and contemporary settings.” —Janet M. Davis
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