Docudrama Performs the Past
Docudramas offer performance as persuasion. By re-creating true stories of war, tragedy, and the lives of noteworthy individuals, they perform the past. This performance of memory makes the memories of others our own, shaping public memory itself.
Doubling the Duality
This book explores the aesthetic and cultural integration of live action and animation. It argues that even in an era of seamless digital effects, their differences and dialogues remain a significant source for the evolution of cinematic language.
Dramatising Disaster
As the imagining of disaster intensifies in media, it is vital to understand how it is presented. Dramatising Disaster presents new research focused not on a specific event, but on the wider topic of disaster in popular culture.
Emerson Goes to the Movies
This book traces Emersonian individualism in Disney’s post-1989 animated films, proving self-reliance is still alive in popular culture. It explores what influences Disney and how individualism intersects with race, gender, class, and imperialism.
Envisaging Death
This book connects Death Studies to visual culture, arguing death is not universal. Who you are and where you live influences how your death is imaged and imagined, exploring how the distance between the living and the dead is both reinforced and disrupted.
Etching Our Own Image
A celebration of Arab American art and identity. In the wake of 9/11, a movement of artists galvanized to define themselves, rather than be defined by others. By telling their own stories, these voices reclaim their image and tell the world who they are.
New technologies have transformed audiovisual storytelling, turning viewers into creators and participants. Featuring texts by leading media scholars, this book offers analyses of these expanding practices, from mobile media and gaming to interactive documentaries.
Religious minorities in the Middle East face challenges to their identities and rights. Based on research, this book examines the obstacles they encounter and the role of Islamic societies in their protection, working toward preserving the rich religious diversity of the region.
Feminisms is Still Our Name
This anthology critically debates the current status of feminisms in visual art. Essays by leading scholars connect past art histories to possible feminist futures, initiating a needed debate on strategies for renewing feminisms in art history and curating.
Film and Morality examines how morality is presented in films and how they serve as a source of moral values. It shows how audiences explore moral issues by following characters who make life-changing decisions and live with the consequences of their choices.
These critical essays explore the representation of sex, gender, and sexual orientation from the early days of cinema to the twenty-first century, investigating the complex relations between film style, sexual politics, and their social ramifications.
Film and Television Stardom examines stars as a social phenomenon from the silent era to today’s reality TV. It provides new insights on the star system, media spectatorship, and analyzes individual stars from James Stewart to Jessica Simpson.
This volume probes the intersections between anthropology and film festival studies. It provides a historical reconstruction of most of the main festivals exhibiting ethnographic film, considering the parallel global evolution of programming and organisational practices.
In an age of media convergence, many have proclaimed the death of cinema. But as moving images enter art galleries, the internet, and our daily lives, what happens to film? This volume explores not the disappearance of cinema, but its blooming post-media life.
Following Forms, Following Functions
The contributions here are devoted to the analysis of the relationship between form and function, two concepts that have played, and continue to play, an important role in several disciplines, from philosophical reflection to theoretical biology.
Forgotten British Film
Gillett exhumes some of the films released in Britain over the last 70 years, including Daybreak (1948), and he probes the reasons for their neglect. He considers the contributions of those involved in the films and examines such issues as the response of critics and audiences.
From Camera Lens To Critical Lens
This collection of essays represents the very best on film adaptation. Diverse international voices explore directors like Hitchcock, writers like Virginia Woolf, and international films from China, Japan, and France. Accessible, engaging, and informative for any reader.
From Self to Shelf
From Self to Shelf is a rich exploration of the interplay between biographical and aesthetic selves, from the Romantic poets to leading contemporaries. This absorbing volume is as engaging and thought-provoking as the masterpieces it illuminates.
Global and Local Art Histories analyzes art outside of hegemonic Euro-American themes. Essays from a broad range of cultural perspectives contest concepts of history and culture, exploring global and local identities and questioning “the work of art.”
HBO’s Girls
This collection is the first to discuss the cultural, political, and social implications of the innovative series Girls. Contributors examine the show through lenses of gender, sexuality, race, and relationships to explain its profound cultural impact.