Building Sustainability with the Arts
This timely book examines various roles of the arts in building ecological sustainability. A wide range of practitioners is represented here, including visual and performing artists, scientists, social researchers, environmental educators and research students.
African Film Cultures
This book offers new perspectives on diverse African film cultures. It uniquely engages with the peoples, histories, geographies, and changing production cultures shaped by audiences at home and in the diaspora, providing useful analyses of socio-political factors.
The Post-Industrial Landscape as Site for Creative Practice
This book investigates the role of material memory in the post-industrial landscape and the ways landscape can host many forms of creative practice. Material memory’s role in public artworks and political installation art is detailed, within the post-industrial landscape.
Theatre Theory and Performance
Biswas offers a starting point for a much-needed critical interrogation of theatre today. He looks at the constant features of European theatre and brings in some Indian elements, before scrutinising the symbiosis that has been functioning for some time.
Forgotten British Film
Gillett exhumes some of the films released in Britain over the last 70 years, including Daybreak (1948), and he probes the reasons for their neglect. He considers the contributions of those involved in the films and examines such issues as the response of critics and audiences.
This volume probes the intersections between anthropology and film festival studies. It provides a historical reconstruction of most of the main festivals exhibiting ethnographic film, considering the parallel global evolution of programming and organisational practices.
Niestorowicz discusses the creative capabilities of people with simultaneous impairment of sight and hearing. She presents a study of the act of creation performed by deafblind people, which makes it possible to propose a vision of reality as conveyed through their sculptures.
Pearce delivers sensible emergent aesthetics, explaining the processes that happen in human minds when we share ideas as works of art. He considers how this skews the orthodoxies of contemporary art with pragmatic wisdom about why representational art thrives in the 21st-century.
This volume investigates the myriad ways in which performance and gender are inextricably bound to identity. It shows how gender, performance and identity play themselves out, in order to illumine the very instability and fluidity of identity as a static category.
Investigating Format
Hughes discusses the transferral of a televised format from its original country to a different cultural and linguistic ambit. Focusing on the formal police interview, she shows that international format transferral is becoming increasingly local to the country of arrival.
New Cinema in Turkey
Ottone focuses on Turkish cinema that has seen the emergence and consolidation of a strong internationally-recognised authorship. He assesses the last twenty years of the “New Turkish Auteur Cinema” by comparing the so-called “3rd generation” to a 4th generation of directors.
Imagined Utopias in the Built Environment
Novakov surveys visionary architecture and urban planning from the 18th century onwards. She starts with the design of social space in Georgian-era pleasure gardens and ends with a study of modern Utopian groups that use early literary references as a focus for their societies.
The Cinematography of Roger Corman
Adopting a methodology based on auteur theory in its structuralist form, Aleksandrowicz investigates the duality of the work of Roger Corman, straddling the line between “the King of the B’s” and an artist whose works are worthy of the highest cinema awards.
Kurdish Documentary Cinema in Turkey
By delving into Kurdish documentary films as products of complex societal, political, and historical processes, the articles here highlight the intersections of media production, film text, and audience reception.
Symbols in Arts, Religion and Culture
Abbaszadeh discusses how we learn about our human nature and how we fit into the larger scheme of life and spirit. She argues that we do this by understanding how our ancestors, through art, symbol and myth, expressed their relationship with the natural world.
The Contemporary Art Gallery
Carrier and Jones enliven readers’ latent knowledge of galleries, like architectural motifs, the intended impression conveyed to the visitor, and their human interactions. Much has been written about the art, but the secretive culture of the galleries themselves is now uncovered.
This collection leans on the fact that, even in the Cold War era, television could become a cross-border matter. It combines transnational perspectives on convergence zones, observations, collaborations, circulations and interdependencies between Eastern and Western television.
Studies by young researchers explore art’s response to social decline, transformation, and rebirth. The book entails diverse perceptions of art and society, from antiquity to modernity, architecture to moving pictures, and the USA to Yugoslavia.
Recent decades in Spain and Latin America have seen transnational voices, typically stereotyped or alienated in the West, gain increasing presence in cultural texts. These essays explore new ways of seeing and interpreting the Middle East and the East in contemporary films.
In examining the effects of new media and media uses in fields such as social discourse, transmediality, and aesthetics, the essays in this collection investigate the recent powerful revolutions in our media and media uses initiated by the introduction of a ‘new’ medium.