Bound by Love
The bonds of love can bring bliss or demand sacrifice; they can save us or destroy us. This book explores how familial bonds in film and television reveal a cultural dialogue about the changing nature of love and the American family.
Looking Through Gender
This book explores the shaping and performing of gender identity in British and Irish theatres since the 1980s. From a queer theory standpoint, it reads several plays to unmask exploiting mechanisms of gender regulation and resist confining notions of identity.
Intermingled Fascinations
This collection of essays analyzes Sinophone and Franco-Japanese transnational cinema, exploring films about migration, exile, and imprisonment. United by themes of displacement and liminality, this anthology reveals how cinema represents diasporic communities.
Docudrama Performs the Past
Docudramas offer performance as persuasion. By re-creating true stories of war, tragedy, and the lives of noteworthy individuals, they perform the past. This performance of memory makes the memories of others our own, shaping public memory itself.
Pasolini, Fassbinder and Europe
This collection of essays compares the legacy of Pier Paolo Pasolini and Rainer Werner Fassbinder, two of Europe’s last radical filmmakers. Their uncompromising films oscillate between utopia and nihilism, inviting us to reconsider lost questions.
An essential gateway to understanding Central Asia. Leading experts present cutting-edge research on the region’s history, politics, culture, and environment, making this collection a vital resource for any student or scholar.
South American Cinematic Culture
This study of South American cinema offers a new approach, revealing the interconnectivity between state, altruistic, and commercial film organizations. It produces a rich overview of a key non-Western filmmaking site, tracing how films circulate nationally and globally.
Feminisms is Still Our Name
This anthology critically debates the current status of feminisms in visual art. Essays by leading scholars connect past art histories to possible feminist futures, initiating a needed debate on strategies for renewing feminisms in art history and curating.
On the Verge of Tears
Why do stories bring us to tears? This multi-vocal collection of essays offers personal, cultural, and political ruminations on why art, music, and film make us weep, inviting us to imagine tears as a language we can all, in some manner, understand.
Meanings of Ripley
This collection offers varied interpretations of sci-fi icon Ellen Ripley. Is she a feminist hero? A patriarchal mother? Does she move beyond dichotomous gender roles? Voices from multiple disciplines explore these questions against the backdrop of Second Wave Feminism.
Celluloid Saviours
In “film blanc,” a spirit helps a hero reform. This book traces the genre from *It’s a Wonderful Life* to *The Truman Show*, linking its history to the rise and fall of American liberal thought.
Impossible Worlds, Impossible Things
These essays draw on a variety of critical approaches for a wide-ranging interdisciplinary discussion of Doctor Who, classic and new, and its spin-offs. This volume is accessible to everyone, from interested academics to the general public.
Ruminations, Peregrinations, and Regenerations
A critical approach to Doctor Who, this book examines the famous science fiction show as a cultural artifact. It explores the show’s dialogue with politics, religion, and culture, as well as the peculiarities of its audience response.
PostGender
A collection of articles by leading researchers on gender, sexuality, and performativity in Japanese culture. This volume considers representations of the body across contemporary art, manga, photography, and performance art.
Exploring the body’s role in cultural memory, these essays consider how the body is a canvas for cultural meaning and a mnemonic for a shared past. Required reading for those interested in how bodies, both on stage and in everyday life, ‘perform’ meaning.
Movies on Home Ground
This exploration of British amateur cinema (1930–1980) reveals a significant but under-explored film practice. It shows how this leisure activity assumed remarkable aesthetic forms, widening the recognised canon of British filmmaking in fascinating new directions.
About Face
How do we represent ourselves and the cultures we live in? To represent the self is to create it. This book explores the multifaceted nature of self-representation from the Middle Ages to contemporary culture through literature, philosophy, and the visual arts.
Cinema and Politics
This volume presents varied approaches to the relation between cinema and politics, focusing on changing narratives and identities. It highlights filmmakers with ‘hybrid identities’ whose work goes beyond old limits toward the sensitivity of the New Europe.
The Nation on Screen
This book focuses on the complex discourses of the nation in the television of twelve countries. It examines how the nation is staged in news, fiction, and entertainment, revealing it as a site of struggle: everywhere and nowhere, endlessly discussed but never grasped.
Cinematic Narration and its Psychological Impact
Using cognitive psychology, this book explores how cinematic narration impacts the spectator’s mind. It considers storytelling, conflict, suspense, and genre to outline a model for analysing how cinematic devices influence a viewer’s cognition, imagination, and emotion.