This book contextualizes the terror histories of a wide range of representative post-9/11 terror literatures in English from the USA, India, Pakistan, Afghanistan and Sri Lanka. It reads the selected short stories, novels, poems, and prose pieces from a gendered perspective. It particularly targets students and scholars of terrorism studies and gender studies.
This pioneering book introduces the “feminine,” a dimension of film not reducible to women’s experience. Exploring this Jungian concept through movies spanning seven decades, it enhances the appreciation of film as a depth psychological medium.
