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£67.99

Bombay Talkies, Franz Osten and Varying Discourses in the Early Indian Cinema

By: Anil Sonawane

£67.99

Delve into the archival history of early Indian cinema. This book examines the landmark Indo-European collaboration at Bombay Talkies through Gilles Deleuze's compelling concepts of Movement-Image and Time-Image, exploring censorship, studios, and film journalism.

This book is a compelling read as it takes the reader through the first four decades of Indian cinema, exploring the habitation of modernity in…
£67.99
£67.99
1-0364-4099-0 , , ,
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This book is a compelling read as it takes the reader through the first four decades of Indian cinema, exploring the habitation of modernity in the discourse surrounding it in its formulating years. One gets to read the analysis of archival gems like the details of film journalism, fan letters, the import of foreign films and film equipment, the segmentation of the film audience and the early debates on censorship, the histories of film studios, and the circulation and exhibition of films in India. Indian as well as European film enthusiasts, historians, and students of film studies would be interested in reading the analysis of films and song sequences based on Gilles Deleuze’s otherwise difficult-to-understand concepts of Movement-Image and Time-Image. This book sketches the history of the operations of Bombay Talkies Studio and the first major collaboration between Indian and European artists like Himansu Rai, Franz Osten, Devika Rani, Niranjan Pal and Josef Wirsching.

Anil Sonawane is an Assistant Professor, heading the Department of English, at St Gonsalo Garcia College of Arts and Commerce, Vasai, India. He received a PhD from the Department of English, Savitribai Phule Pune University, India, in the field of Early Indian Cinema in 2017. His areas of interest are Film Theory, Literary Theory, Translation Studies and Western Philosophy. He conducts ‘Film Appreciation’ Course in Mumbai at St Gonsalo Garcia College, Vasai and Ramnarain Ruia College, Matunga, India. He has delivered lectures on Digital Humanities, Eco Criticism and Film Studies as a Resource Person for Faculty Development Programmes at various colleges affiliated to Universities in Mumbai and Pune. He has conducted a workshop on Early Indian Cinema at the National Museum of Indian Cinema for students and the general public. He has published articles on cinema and literature in journals and edited volumes. He is a film enthusiast involved in filmmaking, subtitling and promoting film culture. He is also a freelance translator and translates between English and Marathi.

Hardback

  • ISBN: 1-0364-4099-0
  • ISBN13: 978-1-0364-4099-2
  • Date of Publication: 2025-02-26

Ebook

  • ISBN: 1-0364-4100-8
  • ISBN13: 978-1-0364-4100-5
  • Date of Publication: 2025-02-26

Subject Codes:

  • BIC: APFA, JFC, ACBS
  • THEMA: ATFA(6CP), JBCC, AGA
271
  • "Anil Sonawane’s book […] offers a welcome lens on the early history of Indian cinema to explore the various dimensions of the Indo-German collaboration with a focus on Bombay talkies and Franz Osten. Drawing on a variety of archival material- reports, posters, advertisements, images, film magazines as well as film historical scholarship, Sonawane details the burgeoning trajectory of this collaboration in terms of studio formations, technology, human resource and the evolving grammar of early Indian cinema. His mobilizing of Gilles Deleuze’s theories of cinema to textually analyze several Bombay talkies films such as Light of Asia, A Throw of Dice, Achhut Kanya etc. makes for an interesting intervention in the study of this period. A well- researched study, this is a useful and insightful addition to early Indian cinema scholarship."
    - Aarti Wani, Retired Professor of English and Lead Editor of Studies in South Asian Film and Media, Intellect Books, UK.
  • "Prof. Sonawane’s meticulously researched and written book is essential reading for film historians, researchers, scholars, and faculty and students of cinema. It offers a comprehensive exploration of early Indian cinema and its intersections with colonial modernity, cinematic aesthetics, and socio-political discourse."
    - Professor Swarnavel Eswaran, Department of English and the School of Journalism, Michigan State University, USA

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