This book delves into the visual and cultural legacy of Sergio Larraín, one of Chile’s most enigmatic photographers. This critical exploration combines detailed visual analysis with an interdisciplinary perspective to uncover Larraín’s profound influence on Latin American and European photography. From Magnum Photos to Satori photography, the author navigates the intersection of art, politics, and spirituality, revealing the untold narratives behind Larraín’s iconic and lesser-known works. This book is essential for scholars, practitioners, and enthusiasts of visual studies, Latin American cultural history, and photography.
This pioneering book introduces the “feminine,” a dimension of film not reducible to women’s experience. Exploring this Jungian concept through movies spanning seven decades, it enhances the appreciation of film as a depth psychological medium.
