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£44.99

The Future of Text and Image

Collected Essays on Literary and Visual Conjunctures
Edited By: Ofra Amihay, Lauren Walsh

£44.99

This volume explores the evolving relationship between text and image in literature. Scholars examine this dynamic across diverse forms—from novels and poetry to collage books and digital poetry—reflecting the significance of the visual in today’s image culture.

The question of the relation between the visual and the textual in literature is at the heart of an increasing number of scholarly projects, and…
£44.99
£44.99
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The question of the relation between the visual and the textual in literature is at the heart of an increasing number of scholarly projects, and in turn, the investigation of evolving visual-verbal dynamics is becoming an independent discipline. This volume explores these profound literary shifts through the work of twelve talented, and in some cases, emerging scholars who study text and image relations in diverse forms and contexts.

The inter-medial conjunctures investigated in this book play with and against the traditional roles of the visual and the verbal. The Future of Text and Image presents explorations of the incorporation of visual elements into works of literature, of visual writing modes, and of the textuality and literariness of images. It focuses on the special potential literature offers for the combination of these two functions. Alongside examinations of major forms and genres such as memoirs, novels, and poetry, this volume expands the discussion of text and image relations into more marginal forms, for instance, collage books, the PostSecret collections of anonymous postcards, and digital poetry. In other words, while exploring the destiny of text and image as an independent discipline, this volume simultaneously looks at the very literal future of text and image forms in an ever-changing technological reality. The essays in this book will help to define the emergent practices and politics of this growing field of study, and at the same time, reflect the tremendous significance of the visual in today’s image culture.

Ofra Amihay is a doctoral candidate at New York University, working on text and image relations in Modern Hebrew novels. Her interests include Hebrew and Jewish literature, German literature, visual culture, text and image relations, children’s literature, and questions of identity and gender. She has taught Modern Hebrew at NYU, and has published in Prooftexts and Teoria uvikoret (Theory and Criticism). Her article on comics representations of the Holocaust and the Berlin Wall is forthcoming in the Journal of Graphic Novels and Comics. In spring 2011 she was a fellow at the Franz Rosenzweig Center of the Hebrew University of Jerusalem.

Lauren Walsh is a lecturer in the Literary Studies department at Eugene Lang College at The New School in New York City. Her interests include twentieth- and twenty-first-century literature, media studies, and memory studies. She has published on diverse topics, from the modernist influences on the American southern novelist Albert Murray (in Albert Murray and the Aesthetic Imagination of a Nation, University of Alabama Press, 2010) to the treatment of September 11th photos in cultural memory and contemporary fiction (in the “About Images” series of Nomadikon, 2011). She has also written for Photography and Culture as well as the Los Angeles Review of Books. She holds a PhD in English and Comparative Literature from Columbia University.

Hardback

  • ISBN: 1-4438-3640-0
  • ISBN13: 978-1-4438-3640-1
  • Date of Publication: 2012-05-04

Ebook

  • ISBN: 1-4438-3675-3
  • ISBN13: 978-1-4438-3675-3
  • Date of Publication: 2012-05-04

Subject Codes:

  • BIC: A, DS, JFC
  • BISAC: LIT006000, LIT020000, LIT025000, LIT024000, LIT017000, LIT000000
  • THEMA: A, DS, JBCC
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  • ''Although complex arguments are posed in each chapter, reading the book is certainly not an arduous task. Perhaps this is because the editors have organised
    - their volume into four sections, with the essays in each linking appropriately to each other. In fact it was hard to put the book down, , or to attempt a speedy ‘light’ read, as the visual and written texts examined in each chapter stimulated my curiosity, sending me in search of the original text/work or phenomenon dis­cussed. The inclusion of four pages of colour prints tucked away in the centre of the volume no doubt added to its pleasurable reading [...] Overall the editors have successfully compiled a fascinating anthology of perspectives dealing with the slippery categories of text and image in literary and visual forms of expression.'' Jenni Lauwrens, 'Image&Text', 118-122