This book showcases the contribution Australian contemporary glass artist David Wright has made to Australian art and international glassmaking. From 1970 until 2014, David Wright produced hundreds of high quality art glass windows for Australian public, private and sacred spaces, including significant national churches, chapels, and synagogues, yet little scholarly research on the artist and his place in Australian art history exists. Including the first catalogue raisonné ever produced on the artist, combined with a close examination of his opus, his influences, manufacturing methods and personal history, this book demonstrates for the first time the extraordinary contribution David Wright made to Australian art and contemporary glassmaking.
This pioneering book introduces the “feminine,” a dimension of film not reducible to women’s experience. Exploring this Jungian concept through movies spanning seven decades, it enhances the appreciation of film as a depth psychological medium.
