This collection of film profiles, comprising 37 discussions, covers a variety of films from the twentieth century. It will appeal to a wide reading audience interested in exploring the relevance of films to literature, and culture more broadly. At the same time, the films under consideration are viewed as moves in mind, by which we trade with one another the look of things brought to presence by the shocking directness of eyesight.
This pioneering book introduces the “feminine,” a dimension of film not reducible to women’s experience. Exploring this Jungian concept through movies spanning seven decades, it enhances the appreciation of film as a depth psychological medium.
