In a globalized world exposed to ever more dramatic dangers, the established legal order enters into crisis and the rhetoric of fear is deployed in order to legitimate states of exception. Italian philosopher Giorgio Agamben has widely elaborated on the historical effects of the juridical concept of the state of exception, recalling the definition formulated by German legal theorist Carl Schmitt. The state of exception presents itself as an inherently elusive phenomenon, a juridical no-man’s land where the law is suspended in order to be preserved. The juridical tensions inherent in the state of exception necessitate a constant interplay of anomie and nomos, an ongoing interaction between order and the suspension of order used to justify every conceivable abuse of power. Such interplay, epitomized by the aftermath of the 2001 terrorist attacks in the USA, has become central to today’s geopolitical scenario.
This book examines the implications of the “state of exception” on both a macro and micropolitical level strongly informed by Italy’s long history of exceptional uses of power. The book is divided into three parts. The first part explores philosophical issues related to the history of the state of exception within the frame of juridical, political, and economical principles. The second part focuses on Italian cultural and literary production during times of socio-political crisis, devoting special attention to the ways in which history may interact with its fictional representations. The third section is devoted to the literary and cinematic representations of the biopolitical effects of the state of exception on Italian urban areas and the spectacularization of terrorism in Italian cinema.
